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Mikan Zlatkovich

"Mikan and I have played together on many occasions..He's a very good musician, but what I like most about him is his fire and spirit. He seems to truly have a grasp of the essence of jazz piano." -Charles Mcpherson

"It's always a pleasure to watch Mikan perform. His consummate command of the keyboard allows him to express musical emotions with inventive ease."- Chuck Perrin

"Those with a good ear for great jazz piano may hear the influences of Peterson, Tyner and Powell in Mikan's playing, but like the influences of Titian in a Rembrandt, what we have in Mikan is a Rembrandt,..it only looks like a Titian at first glance"-John Paul Jones

An accomplished pianist with over a decade of professional experience playing both in Europe and the U.S., Mikan has shared the stage with jazz notables like Tony Scott, Clifford Jordan, Chet Baker, Ernie Wilkins, Ralph Pendland, Anthony Wilson, Willie Jones III and Charles McPherson. On piano or synthesizer, Mikan's strong improvisational skills have thrilled and touched live audiences. Mikan's experience extends to orchestras, bands and groups in concert. With radio and television credits and local jazz club appearances, he has developed an audience who know and love great jazz.

Born in Pristina, Serbia, he followed his dreams and jazz to New York City in the early 90's. Listening to American radio in Eastern Europe as a young child, his father, an amateur guitarist, would expose him to the music of all the jazz greats and he was fascinated by the sound. They would capture this music on a reel to reel and he would transcribe by ear the nuances, rhythms and solos of artists such as Oscar Peterson, Wes Montgomery and Mccoy Tyner. He would learn to speak "jazz" through their music until he found his own voice,

Music encompasses and transcends all languages, races and cultural barriers to present a common ground where people of any age, race or denomination can enjoy the rhythm and harmony brought through jazz. Jazz embodies the best of what is possible in life; freedom, creativity, new, unexpected harmony and finding ways to fully express oneself within the group while supporting the sounds of the other.

I have seen this man bring joy through his music to all types of people in many different settings, from concert hall to small club to street corner. The result is a oneness that comes from bringing people into the moment with his music and talent; the lines that separate us from each other are suspended and a moment is shared and enjoyed.

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Album Review

Will Lyle: L.A. Source Codes

Read "L.A. Source Codes" reviewed by Kyle Simpler


For computer programmers, a source code is a piece of computer language, which they are able to read and transfer and put to use in a practical way. With his debut album, L.A. Source Codes, bassist Will Lyle makes a connection between this concept and jazz. As with computer programming, jazz has its own language, and learning the language of jazz can be somewhat challenging. A skilled player, however, can take musical “source codes," such as chords, scales and arpeggios, ...

331
Album Review

Mikan Zlatkovich: Come Together

Read "Come Together" reviewed by Dee Dee McNeil


Although The Beatles' “Come Together" is a commercially apropos title for keyboardist Mikan Zlatkovich's premier CD, it's his original compositions that are the highlights. “Four Plus One" is upbeat and very funky, with Zlatkovich employing a Yamaha ES90X keyboard to punch the rhythm while singing a repeatable melody hook with his busy right hand. The trio's rendition of Stevie Wonder's less-known “Moments Aren't Moments," from The Woman In Red (Motown, 1984) soundtrack, is beautifully introduced with a driving bass line--and ...

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Recordings: As Leader | As Sideperson

L.A. Source Codes

Self Produced
2021

buy

Come Together

Self Produced
2010

buy

Forasteira

From: L.A. Source Codes
By Mikan Zlatkovich

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