Barry Cleveland

Born: February 27, 1956    Primary Instrument: Guitar, electric

Barry Cleveland

When Barry Cleveland isn’t talking guitar with people like Jeff Beck, David Gilmour, Ry Cooder, Tony Iommi, and John Frusciante, he’s busy recording globally acclaimed progressive rock and world fusion music. For more than 25 years, his epic compositions and virtuoso, eclectic guitar work have been celebrated by critics and listeners alike. And for the last decade, he’s served as a key editor at Guitar Player magazine, holding court with the world’s most important musicians and enabling them to make statements to a massive global audience. Now, it’s Cleveland’s turn to make his own timely statement with his fifth album Hologramatron....
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“Cleveland stitches world fusion, ambient, avant metal, and psychedelia together into a glorious progressive tapestry. This is pretty amazing stuff, and one of the better prog releases this year.” (Score: 15/16)
Warren Barker, Progression

Hologramatron has really bowled me over, so much so that yesterday I had to remain sitting in the car long after I arrived at my destination and long after the complete album had finished playing … An artistic rock album in the best sense of that term, with multilayered influences … Exciting from start to finish … Honestly, this year I have not heard a better album.”
Sal Pichireddu, Babyblaue-Seiten

“In other news, I recently received a copy of Barry Cleveland’s Hologramatron, new on Moonjune Records. I listened to it five times yesterday, and serial listening is rare for me. While it is not overtly avant, I think it is a great release.” (Pick of the Week)
Mike Borellas, Avant Music News

“Layers and layers of ominous energies float and coruscate, wilding lines flit and glow, the entire affair brings back the halcyon era of Vitamin L and Mary Jane, nights given to opium dreams and cloudtripping. Cut right away to ‘You'll Just Have to See it to Believe,’ dive into the swirling patterns and wormholes, and you'll find it hard not to replay the cut 10 times in a row.”
Mark S. Tucker, Folk & Acoustic Music Exchange (F.A.M.E.)

”Art rock with passionate intensity, like a rude new beast with Robert Fripp's body and the roaring head of Phil Ochs slouching towards Bethlehem to be born … This album yells “Theater!” in a crowded fire.”
Billy Sheppard, Billy’s Bunker

”Strong compositions always yield the winning formula. Cleveland triumphantly morphs a King Crimson-like aura with drifting themes into a mobile wall of sound to complement off-kilter deviations and world-beat treatments. The guitarist also incorporates melodic hooks into the grand schema. Simply stated, Hologramatron is an unforeseen revelation for 2010."
Glenn Astarita , eJazz News

”I like this album a lot. It has a lot of modern progressive rock mixed with space rock and many other sounds built into the musical tapestry. I would definitely expect this disc to make it into my top ten albums of 2010 list. If you like adventurous, yet accessible, modern progressive rock, then you really need to check this out. It’s among the best.”
Gary Hill, Music Street Journal

“Cleveland's guitar work [on Hologramatron] is exceptional and vital to these songs. Whether he is cranking out metal riffs, creating atmospheric layers of sound or finessing melodic leads, it is all top notch … I guarantee you will not be disappointed.” Score: 4/5.
Jon Neudorf, Sea of Tranquility

“Ominous arrangements that betray hints of everyone from Robert Fripp to Tool to (even) the Residents abound on the disc, but they’re somehow presented in an accessible fashion. Hologramatron is an effective collection/synthesis of folk-protest song, rhythmic/textural explorations, soundscapes and inventive reinterpretations of classic songs from half a century ago.”
Bill Kopp, MusicScribe

“A masterful blend of mainstream sensibilities, socially-aware lyrics, intriguing atmospheres and stunning instrumental and vocal performances, this is a unique album that is warmly recommended to progressive music fans ... definitely one of the top releases of the year.”
Raffaella "Progmistress" Berry, Fire of Unknown Origin

“The music offers a blend between jazz-rock and alt-rock. Nice textural work, good vocal arrangements, interesting melodies. I WILL try to get to know Barry Cleveland’s work better after listening to this surprising Hologramatron.”
François Couture, Les Services rédactionnels Manche de pelle

”I seriously doubt you've heard a CD as powerful as this one of late … Cleveland is totally unique and doesn't conform (in any way shape or form) to what your aural vision is for what a guitarist should sound like … Hologramatron gets a MOST HIGHLY RECOMMENDED from me, with an ‘EQ’ (energy quotient) rating of 4.97.”
Rotcod Zzaj (Dick Metcalf), Improvijazzation Nation

Hologramatron will appeal to prog fans on a number of levels. There will be some who really get off on the musicianship, others will really like the unique sounds and in that regard there is much to recommend. Barry Cleveland has created what is perhaps his most proggy set of tunes that has much in common with aertists like Peter Gabriel and Tony Levin, so if you are craving something a bit different this would be a really good place to start.”
Jerry Lucky, The Progressive Rock Files

"A listen to this CD is like pacing around a sharp-angled glass structure and watching the rainbow of colours morphing based on where you’re standing. You’re never quite sure what you’re going to experience next.”
Peter Hodgson, I Heart Guitar

“Buy it for 'Stars of Sayulita' and enjoy it for all the rest.”
Doug Morrissey, Prog Rock Music Talk

Hologramatron is a fine progressive rock album. Recommended listening. I enjoyed every minute of it.”
UniMuta, United-Mutations Blogspot

As a Leader

MoonJune Records
Tracks: Lake of Fire; Money Speaks; You’ll Just Have to See It to Believe; Stars of Sayulita; Warning; What Have They Done to the Rain; Abandoned Mines; Suicide Train; Telstar; Dateless Oblivion & Divine Repose. Bonus Tracks: Abandoned Mines Forrest Fang Remix; You’ll Just Have to See It to Believe Alternate Mix; Lake of Fire Evan Schiller Remix.
Personnel: Barry Cleveland: electric & acoustic guitars, Moog Guitar, GuitarViol, samples, vocals. Michael Manring: bass. Robert Powell: pedal-steel, lap-steel. Celso Alberti: drums, percussion. Amy X Neuburg: vocals. Harry Manx: vocals. Deborah Holland: vocals. Artist General: voice. Erdem Helvacioglu: acoustic-electric guitar, electronics. Rick Walker: chain-link drums, teapot, congas, dumbec. Gino Robair: dumbec, kendang.

Supersaturated Records

Memory & Imagination
Supersaturated Records

Voluntary Dreaming
Scarlet Records

Audion Records

As A Side Musician

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1969 Gibson Les Paul Custom
2003 Paul Reed Smith Custom-24 Brazilian
2005 Daisy Rock Retro-H 12ST 12-String
2003 Baby Taylor

Rivera Venus 6 with 1x12 extension cabinet
Fractal Audio Systems Axe-Fx Ultra w/MFC-101 controller

Looperlative LP1
Eventide TimeFactor
Eventide Space
Eventide PitchFactor
Demeter Spring Reverb
Moogerfooger MIDI MuRF
Moogerfooger FreqBox
Moogerfooger 12-Stage Phaser
Moogerfooger Ring Modulator

Carl Martin Compressor/Limiter
WMD Geiger Counter
Euthymia ICBM Fuzz
SIB Echodrive Tube Delay
Crowther Prunes & Custard Harmonic Generator-Intermodulator
Ernie Ball Volume Pedal
Electro-Harmonix Micro-POG

Heet Sound Ebows
Bowhammers built by Michael Masley
Chinese Erhu Bow
Jellifish Plectrum Device

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Download jazz mp3 “Abrasax” by Barry Cleveland
  • Abrasax
  • Barry Cleveland
  • Mythos (2012 Reissue)
Download jazz mp3 “You'll Just Have to See It to Believe” by Barry Cleveland

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