Pablo Menendez is not your average everyday Afro-Caribbean or Latin jazz musician. His vision of this music stretches back to traditional jazz and show tunes and up to electric urban blues, modern post-bop, Cuban or Puerto Rican music, and contemporary neo-bop spawned in the 1970s. As a guitarist he is strong individually in these varied styles or disciplines, but as a bandleader he stretches out even further, taking his Mezcla ensemble into these disciplines of jazz and music both beyond and including Latin sensibilities. Michael G. Nastos (Allmusic.com)
I'll See You in Cuba is an extraordinary celebration of Cuba's dance and song. It is a fiercely vivid account of a culture infused with the most electrifying elements of Afro-Caribbean heritage. As a musical odyssey it holds its own with the very best of Irakere and the Buena Vista Social Club.” (Raul D’Gama Rose, allaboutjazz.com)
“For those who think Cuban music fits in a cigar box, who have Buena Vista vision, or a Ricky Ricardo fixation, for those who think that Cuban music is only Salsa, Timba, Mambo or Afro folkloric: this recording will challenge, rock, annoy you or all three. Either way you will be surprised by the incredible fluidity with which these musicians float between genres and worlds.” Arturo O'Farrill
Havana Blues Mambo (Zoho, Year released)
¡Akimba! (Khaeon, 2002)
Las Puertas Estan Abiertas (LNP, 1999)
Rocason (LNP, 1997)
Cantos: Mezcla con Lazaro Ros (Intuition, 1992)
Fronteras de Sueño ((Intuition, 1991)
Somos Hijos de la Mezcla ((Intuition, 1989)
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