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Jure Pukl
Jure Pukl was awarded highest national award for contribution to Arts in Slovenia (Nagrada Prešernovega sklada 2015) and is one of the most prolific and creative saxophonists of the younger Slovene jazz generation. Pukl obtained university education abroad and studied classical and jazz saxophone at the University in Vienna as well as at the Haag Conservatory of Music. Pukl then won a scholarship to the Berklee College of Music, where he pursued his studies with masters such as Joe Lovano and George Garzone. He completed his masters degree in music at the Graz Academy of Music.
Throughout his studies Pukl performed and recorded extensively, being engaged in his own projects, as well as working with a number of great musicians from different fields in music such as Dave Liebman, Branford Marsalis, Esperanza Spalding, George Lewis, Maceo Parker, Vijay Iyer, Jeff “Tain” Watts, Gregory Hutchinson, Damion Reid, Darius Jones, Doug Hammond, Gerald Cleaver, Adam Rogers, Melissa Aldana, Rodney Green, Charles Altura, Joe Sanders, Aaron Goldberg, Marcus Gilmore, Johnathan Blake and orchestras like Big Band RTV Slovenia, European Jazz Orchestra, European Movement Jazz Orchestra, Vienna Saxophone Quartet and many others. He has been touring extensively throughout USA, Asia and Europe performing in venues such as Blue Note, Smalls Jazz Club, The Jazz Gallery, Ronnie Scotts, The Vortex, Pizza Express, Jazz Spot J Tokyo, Porgy & Bess, Stadtgarten and festivals like Winter Jazz Festival, Moers Jazz Festival, Vienna Jazz Festival, Pori Jazz Festival, Berlin Jazz Festival, Jazz a Vienne, Cairo Jazz Festival, to name a few.
His music has won him many awards and in his auctorial projects, such as the Doubtless, Broken Circles, Abstract Society, MEAT or Sound Pictures, Pukl dedicates himself to modern interpretations of jazz and improvised music.
What he creates is a unique type of modern jazz, avantgarde, free jazz and impressionistic contemporary music performed with a great deal of knowledge and love, giving prominence to the interplay between band members. He published 8 Albums under his own name and received rave reviews all over the globe among others in the influential Downbeat, The New York Times, Jazzwise, Jazz Podium and All About Jazz. He is also featured on more than 50 other projects as a sideman.
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Endorses SELMER saxophones www.selmer.fr
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Kristina Barta: Endless Questions and Answers
by Mike Jurkovic
Czech pianist/composer Kristina Barta's Endless Questions and Answers opens on a rather ominous tone. Drummer Marek Urbánek plays on his toms a shadowy, esoteric rhythm. Tenor Jure Pukl flares in. Barta enters slowly, barely audible with bassist Peter Korman riding shotgun. But soon she controls the barely controllable rush that embodies Breaking Through Some Border," the breakthrough opener to a fine, fine recording. Barta--a graduate from the Academy of Performing Arts in Prague and a finalist in the ...
read moreKenneth Jimenez, Jure Pukl, Pyramid Trio & Taiko Saito
by Maurice Hogue
A pair of excellent quartet releases jump off the page in this edition of One Man's Jazz. Bassist Kenneth Jimenez, with Angelica Sanchez, Hery Paz and Gerald Cleaver, and saxophonist Jure Pukl with Joe Sanders, Peter Evans and Nasheet Waits, create some wonderful contemporary improvisation on their latest projects. NoBusiness Records has a winner in Visitation Of Spirits, a yet-to-be released live set by Roy Campbell's Pyramid Trio with William Parker and Zen Masuura. Saxophonist Ivo Perelman continues to mine ...
read moreJure Pukl: Broken Circles
by Friedrich Kunzmann
Slovenian tenor saxophonist Jure Pukl follows up his quartet outings Hybrid (Whirlwind Recordings 2017) and Doubtless (Whirlwind Recordings 2018) with an album that signals a clear change of direction. On Broken Circles Pukl swaps his saxophonist wife Melissa Aldana for Joel Ross on vibraphone and adds guitarist Charles Altura for some lyrical comping, on top of a well-versed rhythm section. As a direct result, harmony and flow arise more implicitly, giving Pukl the ideal environment to perform long stretches of ...
read moreJure Pukl 'Doubtless' live at BIMHUIS Amsterdam
by BIMHUIS
Jure Pukl is one of Slovenia's most prolific and creative saxophonists, who has been performing for years all over the world. He is part of a new generation of musicians shaping the future of jazz. This concert at BIMHUIS features the line-up from his recent album, Doubtless: a tenor sax front-line of Jure Pukl and his partner Melissa Aldana, with bassist Joe Sanders and drummer Gregory Hutchinson. At BIMHUIS they were joined by a number of special guests ...
read moreJure Pukl: Doubtless
by Roger Farbey
Melissa Aldana guested on two tracks featured on Jure Pukl's previous album Hybrid (Whirlwind, 2017), so it's no surprise that she's been recruited again for Pukl's follow-up recording. However, taking a slightly different tack, the saxophonist has dispensed with a piano or any chordal instrument for this set. But having two front line tenor saxophones isn't a new thing in modern jazz. For example, Al Cohn and Zoot Sims did this on their 1960 album You 'N' Me (Mercury), albeit ...
read moreJure Pukl: EARchitecture
by Jerry D'Souza
Saxophonist and composer Juri Pukl is a man of many parts. He has ensconced himself in jazz, but he is also involved with pop, rock and hip hop. His compositions are strongly ingrained in the written note but he views a distant horizon as he and his band mates set out on the road to improvisation. All of this serves him well on EARchitecture.Pukl balances muscularity with gentleness on this well selected passel of tunes. As an improviser ...
read moreReviews “In art, the past serves as a reminder to present generations concerning verities that go beyond time and place, in this case musical truths that are universal and eternal. Passion, energy, sincerity are virtues we hear in the music of masters, alongside the specifics of musicianship. Already as a young artist, Jure Pukl has absorbed these aspects as well as the language of the “avantgarde” movement that began in earnest in the mid 1960’s in Europe and America. He has conceived the music with artists who understand the roots of this style. When a young musician looks back to the legacy, absorbs the salient points and places them in a contemporary context, you have a quality statement that will be rewarding to listener and musicians alike far into the future