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Pawel Kaczmarczyk

One of Poland's pre-eminent jazz pianists from the younger generation, composer, soloist and sideman. Called a revelation of Polish and European jazz scene; valued most of all for his virtuosity, creativity and surprisingly mature technique. Being only a teenager he started to participate in a various jazz festivals and competitions where he received many awards. Year 2000 for Pawel Kaczmarczyk is the beginning of informal education under the aegis of legendary jazzman Janusz Muniak, with whom he cooperates to this very day. He took the first place in the New Hope category of Jazz Forum Magazine's "Jazz Top" readers' poll from 2004 through 2007. His debut album by KBD Trio (with Michal Baranski on bass, and Pawel Dobrowolski on drums) has received many positive reviews as well as his second album “Audiofeeling”, but it was “Complexity in Simplicity” released by prestigious ACT Music in 2009 that opened him the door to an international career. Pawel Kaczmarczyk has become the third polish musicians (after Stanko and Wasilewski) who is recording for such a prestigious European label as a leader of his own band. “Complexity in Simplicity” by Paweł Kaczmarczyk Audiofeeling Band was acclaimed the Album of The Year in the poll organized among Jazz Forum readers and what seems most significant is Paweł Kaczmarczyk’s victory as the Pianist of The Year. Paweł Kaczmarczyk Audiofeeling Band is now touring intensively and at the same time Pawel Kaczmarczyk is being invited to participate in many different projects by other artists.

Pawel Kaczmarczyk has worked with a wide range of musicians, including Emil Mangelsdorff, Monty Waters, Lee Konitz, Steve McCraven, John Betsch, Wayne Dockery, Ruth Wilhelmine Meyer, Theodosii Spassov, Vitold Rek, Janusz Muniak, Piotr Wojtasik, Adam Pieronczyk, Zbigniew Namysłowski, Piotr Baron, Jorgos Skolias, Marek Bałata, Kazimierz Jonkisz, Artur Rojek (Myslovitz), Zbigniew Wegehaupt.

Discography

Albums:

1. Kaczmarczyk/Barański/Dobrowolski Trio „LIVE” (Radio Katowice/Jazz Forum 2005) 2. Kaczmarczyk „AUDIOFEELING” (ARMS Records 2007) 3. Paweł Kaczmarczyk Audiofeeling Band “COMPLEXITY IN SIMPLICITY” (ACT Music 2009)

As guest:

1. Rafał Sarnecki “Songs From A New Place” (ARMS Records 2008) 2. New Bone “It’s Not Easy” (GOWI Records 2009) 3. Grzech Piotrowski „Emotronica” (Alchemik Studio 2009) 4. Leszek HeFi Wiśniowski feat. Krzesimir Dębski “KINETYKA” (EW Music 2010) 5. Rafał Sarnecki „The Madman Rambles Again” (Fresh Sound Records 2011)

He started his musical education in 1991, in the State Primary School of Music “I.J. Paderewski” in Kraków, in classic piano class led by Professor Krystyna Werblańska. From 1992-93 he studied also in percussion class of Leon Olejniczak, which resulted in performances along with school percussion group in Kraków Philharmonic Hall (1993). His interest in jazz emerged in the first years of the primary school. He was influenced by his elder brother who plays saxophone. In the fourth grade of the primary school, Paweł founded, together with his school friends, his first jazz quartet, with Szymon Kamykowski playing saxophone, Tomasz Michalik playing bass guitar, and Grzegorz Fieber on percussion. This band performed along with outstanding musicians (Jarosław Śmietana, Andrzej Cudzich, Leszek Szczerba, Jacek Królik) during a concert in Kraków Philharmonic Hall (1998). In 1995 Paweł Kaczmarczyk participated for the first time in International Summer Jazz Academy, where he took lessons from Professor Leszek Kułakowski, as the youngest participant of the workshop. Since that moment he dedicated himself mostly to jazz music. In 1997 he joined a private Krakow School of Jazz and Entertainment Music, where he took lessons from Adam Niedzielin. Together with other students of the school, he gave concerts in Germany and in Hungary. In 1997-98 he performed in Kraków Philharmonic Hall as the first Polish within Japanese festival "Young Piano Virtuosos - Original Piano Concerts Festival", playing child’s piano concerts of such composers as Mikołaj Górecki or Zenon Kowalowski, accompanied by Capella Cracoviensis symphonic orchestra lead by Stanisław Gałoński. In 1998-2000 he worked for TVN television, participating in the "Twój Problem, Nasza Głowa" (“Your Problem, Our Solution”) programme, in which, together with home band made up of children, he played jingles.

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4
Album Review

Pawel Kaczmarczyk Audiofeeling Trio & Mr Krime: Vars & Kaper:Deconstruction

Read "Vars & Kaper:Deconstruction" reviewed by Ian Patterson


Doubtless some were surprised when pianist/composer Pawel Kaczmarczyk left ACT Records after the ambitious Complexity in Simplicity (2009). However, the decision has perhaps proven to be a musically astute one, given the stunning statement from Kaczmarczyk's Audiofeeling Trio--featuring one of Poland's top rhythm sections in Maciej Adamczak and Dawid Fortuna--that was Something Personal (Hevhetia, 2015). Here, the same line-up is augmented by Mr. Krime (Wojceich Dlugosz) on turntables and electronics in a powerful reimagining of Bronislaw Kaper and Henryk Vars' ...

15
Album Review

Pawel Kaczmarczyk Audiofeeling Trio: Something Personal

Read "Something Personal" reviewed by Ian Patterson


For fans of Pawel Kaczmarczyk it's been a lengthy wait for a follow-up to Complexity in Simplicity (ACT Music, 2009), his sole recording for Siggi Loch's label. Six years seems like too long a gap for such a prodigiously talented performer and composer but this extended stewing period sees the Krakow pianist return in absolutely splendid form with Something Personal, his fourth album as a leader. On Complexity in Simplicity Kaczmarczyk was bursting with ideas, harnessing a dozen of Poland's ...

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"The name Kaczmarczyk will inevitably soon become a definition of virtuosity and creativity in jazz.” Mannheimer Morgen

“To hear Kaczmarczyk dig deeply into the keys is to understand what full- bodied, wholly committed jazz pianism is all about.” Chicago Tribune

“(…) Kaczmarczyk has made his debut on one of Europe's most famous record labels, ACT Music, joining the company of stars like Lars Danielsson, Esbjörn Svensson, Leszek Możdżer and Nils Landgren.” Gazeta Wyborcza

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