Born: November 11, 1979 Primary Instrument: Drums
Born in Brasília, Brazil, Maurício de Souza is a jazz drummer who easily performs in both traditional jazz and Brazilian jazz styles. His good taste and finesse have allowed him to play in numerous settings with various accomplished musicians. De Souza studied with world renowned jazz drummer and master teacher Joe Morello for eight years. He also had a year of private studies with distinguished all-round percussion teacher Glenn Weber. Aside from the inspiration of Mr. Morello, other influential performers include Buddy Rich, Airto Moreira, Dave Weckl, Roy Haynes, and Bill Stewart. Coming from a musical family, de Souza began playing the drums at the age of eleven. Within a few months, he began performing with numerous local rock cover groups in his hometown. Always interested in evolving as a musician, he joined the youth percussion group at Brasília's Teatro Nacional (National Theater, home of Brasília's Symphony Orchestra). De Souza's constant interest in elaborate music eventually brought him to Jazz. While a junior in high school, he used his summer vacation in Brazil to study with Joe Morello in New Jersey. Upon graduating from high school, de Souza came back to the US to continue his studies with Mr. Morello and attend college. Since settling in Northern New Jersey in 2004, de Souza has been very active in the NY/NJ metropolitan area. He has performed at some of the finest jazz venues and festivals (mostly as a band leader) with his two groups: Bossa Brasil® (Brazilian Jazz) and Maurício de Souza Group (Straight Ahead Jazz).
In New York, de Souza performs monthly at Garage Jazz Club and has been heard at Blue Note, Smoke Jazz Club, Smalls Jazz Club, Lenox Lounge, Saint Peter's Church, Kitano Hotel, Bar Next Door, Whitney Museum, New York Polish Consulate, Cutting Room, Via Brasil, SOB's, New York Athletic Club, and Bubby's (Brooklyn) among many others.
In New Jersey, de Souza has performed at NJPAC's Sounds of the City, Trumpets Jazz Club (Montclair), Priory (Newark), Cornerstone (Metuchen), Salt Creek Grille (Princeton), Delta’s (New Brunswick), Cecil’s Jazz Club (West Orange), Tomaso's Jazz Room (Edgewater), Cross Roads (Garwood), Chico's House of Jazz (Asbury Park), Mohawk House (Sparta), Giamano's (Bradley Beach), Moonstruck (Asbury Park), and Museum of Early Trades and Crafts (Madison) to name a few. In Philadelphia, he has been heard at Chris’s and Ortlieb’s Jazz clubs. De Souza has also performed at Cubata in Waterbury, Connecticut and Lily Pad in Massachusetts. Festival appearances include: 2012 Morristown's Music Without Borders, 2012/2013 Westfield's Sweet Sounds Downtown Jazz Festival, 2011 NJPAC's Sounds of the City, 2011 Morristown's First Night, 2011 Morristown Festival, 2010/2011 Keyport International Festival, 2011/2012/2013 EAP Hispanic Heritage Month Lunchtime Series, 2008/2009 Red Bank Jazz and Blues Festival, 2006/2007/2008/2009/2010 Church St. Music Festivals (Montclair, NJ), 2009/2010 Journal Square Summer Series (Jersey City), 2009 Long Branch (NJ) Jazz and Blues Festival, 2007/2008 Artes Latinas Festival (Westampton, NJ), 2005 Burlington County (NJ) Music Festival, the 2005 Chester (NJ) Music Festival, and the 2004 Campbell Music Festival in Camden, NJ. Internationally, de Souza has performed in Brasília, Brazil with his quartet/quintet at Gate's Pub, Velvet Pub, Restaurante Feitiço Mineiro, Schlob Bar e Restaurante, C'Est Si Bon, and Jazz Cafe. In his numerous performances as a guest percussionist with OSTNCS (Orquestra Sinfônica do Teatro Nacional Cláudio Santoro de Brasília - Brazil), de Souza performed in the Brazilian premiere of Puccini's opera La Boheme and in the world premiere and recording of Cláudio Santoro's 9th and 11th Symphonies. De Souza has also performed as a percussionist with the New York Symphonic Arts Ensemble, Bergen Philharmonic and the Metropolitan Orchestra in New Jersey. In 2013, de Souza will be releasing his new album, Different Directions (Pulsa Music), featuring both Maurício de Souza Group and Bossa Brasil®. The amazing musicians on the album are: Mike Stern (guitar), Marc Copland (piano), John Lee (electric bass), Gary Mazzaroppi (acoustic bass), Greg Gisbert (trumpet/flugelhorn), Sharel Cassity (alto, soprano, tenor saxes, flute), Miho Nobuzane (piano), Ben Winkelman (piano), and Jerry Weir (vibes). In 2010, de Souza released his first commercial record entitled, Here. There... (Pulsa Music). The album features both Maurício de Souza Group and Bossa Brasil® with very special guest Mike Stern (guitar). The amazing musicians on the album are: Andrew Beals (alto sax), Gregory Rivkin (trumpet), Carl Viggiani and Noah Haidu (piano), Jerry Weir (vibes), and Morrie Louden (bass). With the release of Here. There..., de Souza reached a much wider audience. The album reached #40 of the top 50 new releases in the Jazz Week chart for national radio airplay, it ranked #17 of the top 30 jazz albums by Music Choice, and it was elected #1 Jazz Album by WWPV 88.7 FM (Burlington, VT). Here. There... was also elected album of the week by Solar Latin Club (Colombia). It was featured countless times on WBGO 88.3 FM (#1 Jazz radio station in the US). Pandora internet radio and Sirius XM satellite radio have added Here. There... to their music libraries. The album has been reviewed in Jazz Times Magazine, All About Jazz (online), All About Jazz NY (newspaper), Jazz Inside NY Magazine, JazzChicago.net, Sea of Tranquility (online), and The Midwest Record among others. De Souza was featured in a one hour interview with Awilda Rivera for WBGO. He also recorded a radio interview at the BBC Studio in New York with Ken Bader (NPR, PRI, BBC) for his show, “The World”. Please visit the “Articles” page for more details. Maurício de Souza Group performs a variety of jazz standards from Miles to Metheny. The group concentrates on performing the most refined tunes from numerous jazz eras. The challenging arrangements include tunes in 3/4, 5/4, and 7/4 time as well as modal tunes. Bossa Brasil® performs the most sophisticated Brazilian music. The repertoire includes compositions by Brazil’s most outstanding artists such as Tom Jobim, Egberto Gismonti, Roberto Menescal, Milton Nascimento, Edu Lobo, Victor Assis Brasil, Hermeto Pascoal, Baden Powell, Luiz Eça, and Pixinguinha. Some of the even more exotic rhythms explored by the group include “Baião” and Chorinho. Esteemed performers Sharel Cassity (alto Sax), Andrew Beals (alto sax), Carl Viggiani (piano), Noah Haidu (piano), Ben Winkelman (piano), Jerry Weir (vibes), Gary Mazzaroppi (bass), Hélio Alves (piano), Nilson Matta (bass), Leonardo Cioglia (bass), and Aloisio Aguiar (piano) have contributed highly to the advanced melodic material, original sound, and intense drive of the groups.
Here. There... is a solid mix of Brazilian music and jazz standards. Woodrow Wilkins, All About Jazz.
De Souza belongs at a drum kit. Zan Stewart, Star Ledger.
This CD (Here. There...) sounds like a group of talented musicians got together with songs that they liked, went into the studio and had a lot of fun. Drummer Mauricio de Souza spearheaeded the project ... to deliver a wide variety of material choices. Marcia Hillman, All About Jazz New York (currently The New York City Jazz Record).
De Souza is a talented drummer and the driving engine on this album (Here. There...), able to play in many styles with a delicate touch on the snare contrasting the heavy bottom of his bass drum. Marcia Hillman, All About Jazz New York (currently The New York City Jazz Record).
Each of the tracks on this album (Here. There...) is a little gem and since there is enough variety to suit many tasted, this CD will probably garner much play. It is an exciting offering that is good for the ears and the spirit. Marcia Hillman, All About Jazz New York (currently The New York City Jazz Record).
Here. There... has been well recieved critically and commercially ... We dig it big time and we're sure you will, too. Steven Froias, Tri City News.
Together with bassist Morrie Louden the rhythm section has more swing than Derek Jeter as Mauricio's colorful accents perfectly underscore Carl Viggiani's speedy and free flowing piano solos on Casa Forte and Consolação. By Ryan Sparks, Sea of Tranquility website (on Here. There...)
In my opinion why the music on this disc (Here. There...) works so well is because it strikes a perfect balance somewhere between restrained and cut it loose. You have light and wistfully textured ballads I Can't Get Started and Here. There... sitting right alongside the exotic and muscular grooves of Chovendo na Roseira and Vera Cruz. By Ryan Sparks, Sea of Tranquility website (on Here. There...)
Through it all De Souza is the anchor and the glue holding it all together and save for a few places here and there, where he steps up to the forefront and breaks into a short solo, his playing for the most part is as refined as it is understated. For De Souza you get the distinct impression that his goal here definitely isn't to demonstrate a lot of flash, but to serve the song and the arrangement. By Ryan Sparks, Sea of Tranquility website (on Here. There...)
Here. There... gives the listener a great indication of just how effortlessly Mauricio De Souza is able to navigate seamlessly through these two styles of jazz. Basically if you appreciate the traditional jazz format but also like to have a bit of spice on the side, then you'll definitely want to check this one out. By Ryan Sparks, Sea of Tranquility website (on Here. There...)
With an alternately authoritative and feathery touch on the drums, de Souza has a bright future in jazz. Richard Skelly, U.S. 1.
Here. There...: ... Brazil grooves with a lounge and jazz twist that make even the chestnuts sound fresh. A solid, fully packed disc of upbeat happy music that will do nothing less than drive away the blues. ... Right on the money throughout, it is sophisticated and savvy with just the right amount of funk and winks to keep it right in your pocket. Every adult in need of a sonic fix should put this on their portable player pronto. Well done. Chris Spector, Midwest Record.
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West Orange, NJ
Willing to teach:
11 years of private studies with Joe Morello. Bachelor's degree in Performance (jazz and classical). Teaching Certification (K-12). Available for private lessons. Please contact me for availability and rates: 973-651-7281, firstname.lastname@example.org.
A basic clinic would include: explanation and discussion of basic drum techniques; basic rock, jazz, and Brazilian jazz rhythms; how to apply these techniques in a musical way in a group setting. More involved clinics are certainly possible. Open to specific requests. Available for clinics. Please contact me for availability and rates: 973-651-7281, email@example.com.