Born: May 20, 1988 Primary Instrument: Reeds
A Bay Area transplant to the NYC scene, multi-reedist Steven Lugerner maintains an active bi-costal performance schedule - as both a leader and sidemen. Since his relocation to New York City, Lugerner has fostered contacts, study and collaboration with such artists as: Grammy nominated pianist Fred Hersch; soprano saxophonist Jane Ira Bloom; flutist/composer Jamie Baum; trumpeter Ralph Alessi; pianist Myra Melford; percussionist Matt Wilson; percussionist/composer John Hollenbeck, bassist John Hebert, pianist Jason Moran, trumpeter Darren Johnston; saxophonist Dayna Stephens & SFJAZZ Collective member Miguel Zenon. He is a skilled and diversified woodwind doubler on saxophone, bass clarinet, Bb clarinet, oboe, english horn, flute and alto flute. As a sideman & leader, Lugerner has had the opportunity to perform at Carnegie Hall, The SFJAZZ Festival, Dizzy’s Coca-Cola Club, Smalls Jazz Club, Cornelia St. Cafe, Le Poisson Rouge, The Red Poppy Art House, The Jazzschool and Yoshi’s Oakland.
Steven Lugerner was born and raised in the San Francisco Bay Area in a multicultural, artistically nurturing family. He began his early musical studies attempting to play the trumpet - a painful experience for both student and family audience. Thankfully, he followed the suggestion of his music teacher and switched to lessons on the clarinet. He soon discovered his niche in the world of woodwind instruments. His elementary school music studies coupled with involvement in youth orchestra allowed him to refine his studies on the clarinet and additionally inspired his interest and concentration to the oboe, an instrument no fifth grader dared to take up. During his middle school and high school years, Lugerner performed on both the clarinet and oboe in school and college-level bands, as well as professional pit orchestras. It was in mid-high school that he began a dedicated study of saxophone and the exploration of jazz and improvised music. This was a natural reconnection to the sounds of his childhood years characterized by the household music of Paul Desmond, Stan Getz, Milt Jackson and Steely Dan.
Last Updated: May 17, 2011
“The seven pieces on These Are the Words are based on
verses from the Torah and draw their “intervallic relationships
… time signatures, and tempo markings,” as well as their
melodies, harmonies, and improvisational gambits, from his
application of an ancient practice known as Gematria, “a
method favored by medieval Kabbalists” involving assigning
numerical values to Hebrew letters. I hope being told this
doesn’t give the impression that Lugerner’s music is arcane
and emotionally impenetrable, because nothing could be
further from the truth… What counts is how the results fall on
the ear, and in Lugerner’s case, this means a textured, nearly
seamless blend of composition and improvisation of the sort
that die-hard jazzists might complain is really modern
chamber music… Lugerner here and elsewhere achieves
orchestral color by assigning his horn and Johnston’s a role
usually given to bass, and along with the free rein he allows
his fellow improvisers (the wonderful Melford, in particular),
pieces that might have sounded rigid and schematic come
across as spontaneous and engaging.” -Francis Davis (The
Village Voice) on These Are The Words
“Multi-Reedist Steven Lugerner leads his septet featured on
one half of his recent double-CD release (the half titled
Narratives, to be exact), showing off his songful, cinematic
midsize-ensemble works.” - Time Out New York on
Narratives
“Two discs, two different bands playing two different sets of
compositions, and hardly a note is wasted. It’s a sickening
display of overachievement, bolstered by the assistance of
pianist Myra Melford, guitarist Angelo Spangolo, trumpeter
Darren Johnston, drummers Michael Davis and Matt Wilson…
and the list goes on. Musically, it can be too elegiac and
impressionistic to be considered jazz. But other times it feels
too free and dissonant to be considered classical or chamber.
Like all great music, it’s the kind that unintentionally blurs
genres.” - John Garratt (PopMatters.com) on Narratives &
These Are The Words
“This (These Are The Words) is an impressive undertaking.
Throughout the program, Lugerner’s music illustrates the
complex object that is man and his burgeoning and
sometimes difficult relationship to and with the Lord. One
hears echoes of Aaron Copland, Igor Stravinsky and Leonard
Bernstein as well as Marty Ehrlich and Fred Hersch - there
are moments of noise, of chaos, but also times of sheer
beauty. On repeated listenings, one hears in better detail the
interplay of the 4 musicians; the shapes within the music soon
make more sense and one realizes that this is a meditation of
the themes of belief, creativity, devotion and commitment.” -
Richard B. Kamins (Step Tempest) on These Are The Words
“Like the first CD in the package, “Narratives” offers much to
the discerning listener, especially if one is patient. Don’t look
for obvious influences; instead, listen for the interplay, for the
original melodies, impressive arrangements, and the honest
attempt to embrace many styles without settling on one. I
imagine these works open up a bit more in concert yet do not
seem underdone on record.” - Richard B. Kamins (Step
Tempest) on Narratives
“Steven Lugerner is a prototype of the young 21st century
jazz musician. Equally gifted as performer, composer and
interpreter, he is sure to make a mark on the jazz scene in
the years ahead. - Fred Hersch (Grammy Nominated
Pianist)
“Steven Lugerner is the real article. A polished and
sophisticated young composer-arranger, he is also a fine alto
and soprano saxophonist. He’s assembled a terrific septet of
kindred improvisers who play his modal-modern works with
devotion and finesse” - Kirk Nurock (Composer, Pianist,
Conductor and Educator)
“Steven Lugerner writes and plays with maturity, creativity
and taste well beyond his years with plenty of fire and chops
to support his ideas.” - Jamie Baum (Composer/Flutist)