Primary Instrument: Vocalist
Amongst a community teaming with startlingly gifted young singers, Sara Gazarek stands out as a particularly extravagant artist. Her first two albums introduced her singular sound and vision, steeped in the tradition of jazz but deeply informed by contemporary songwriters and performers. With Blossom & Bee, her highly anticipated debut release on the respected indie label Palmetto, Gazarek turns over an exciting, glistening new leaf.
With five years between her acclaimed 2007 album “Return to You” (Native Language) and “Blossom & Bee,” it’s no surprise that Gazarek has grown considerably in the meantime. What’s fascinating is the way that she’s tapped into sources of inspiration consonant with her own less-is-more sensibility. Working closely with the brilliant pianist/organist Larry Goldings, who produced the album, Gazarek and her band have crafted a program of emotionally expansive standards, inspired contemporary fare, and uncommonly memorable originals, all delivered with her insouciant sense of artistry.
As the title track might suggest, an undeniable thread running through “Blossom & Bee” is the irrepressibly buoyant spirit of jazz pianist, singer and songwriter Blossom Dearie. “When I looked at the 4 or 5 songs from our book that absolutely had to be on this record, I was surprised to realize they had all been inadvertently added to our repertoire over the years through our love for her.” From the upbeat and humorous “Everything I’ve Got,” their refreshing, glockenspiel laden take on “I’m Old Fashioned” and the meter-shifting “Tea For Two,” Gazarek acknowledges the direct correlation between these songs and Dearie’s.
“I’ve always seen myself more as a lyric interpreter” Sara says. “I’ve never been drawn to flashy vocal gymnastics, so I naturally fell in love with the simplicity of her voice and delivery,” Blessed with her own gorgeous, translucent voice, excellent pitch and supple sense of time, Gazarek manages to evoke the tough-minded discipline behind Dearie’s appealingly girlish sound. “She invests each song with so much emotion and musicality.”
But, rather than a tribute project, “Blossom & Bee” is meant to reflect the working repertoire of Gazarek’s stellar Los Angeles based group, featuring pianist Josh Nelson, bassist Hamilton Price and drummer Zach Harmon. “We are so excited to finally be able to share something with our listeners that encapsulates the energy, humor, and sheer joy we feel in our live performances,” Sara states.
Whether she’s plumbing the humorous depths of heartbreak on the Yip Harburg/Harold Arlen anthem “Down With Love,” an insistently bumpy arrangement worked out with Goldings, or evoking the giddy rush of new found love on the Comden/Green/Bernstein classic “Lucky To Be Me,” Gazarek never hits a false musical or emotional note, even when the tune appears to be an unlikely vehicle for her. Her approach to the Schoolhouse Rock hit “Unpack Your Adjectives” adds energy and simmering intensity to the classic tune, and she turns Shelton Brooks’ hoary vaudeville hit “Some of These Days,” into a hard-swinging jazz number featuring Goldings’ rippling organ and John Pizzarelli’s propulsive guitar.
“My mom sent me a video of me singing that in high school,” Gazarek says, explaining that the song is a recent addition to the band’s book. “It was my first solo number on stage, and I remember it made my Grandma cry. I’ve always been a big proponent of doing songs you have a relationship with.”
Ben Folds’ popular hit “The Luckiest” is admittedly, inspired by the first dance Gazarek shared with her husband at their wedding. “We both have part of the lyric tattooed on our arms” Gazarek shares, which can be witnessed on the albums cover art. “I chose to include this song in the story of this album, as it’s a beautiful part of my life.”
She’s also closely tied, of course, to the album’s impressive original pieces. A product of Gazarek and Nelson’s ongoing songwriting partnership, the gospel-tinged “Fly Away Birdie” is an uplifting ode to following one’s dreams, buoyed by Nelson’s lush keyboard chords and Goldings’ subtle organ fills. The album’s standout new song is the enchanting title track, a vocal duet with vocalist/guitarist John Pizzarelli, a consummate musician and entertainer who serves as an ideal foil for Gazarek. A collaboration with Goldings and co-lyricist Bill DeMain, “Blossom & Bee” pays homage to the delicious frission of ying and yang.
The album isn’t just a major new statement by Gazarek. “Blossom & Bee” reflects the increased confidence and maturity that comes with time and growth. It’s not just that she got married and started teaching at the University of Southern California’s vaunted music school (from which she graduated). Or that she spent 2 years collaborating with German-based group Triosence, resulting in an album of purely original compositions.
“I woke up and realized I finally had something to say, and I needed to say it, now,” Gazarek recalls. After years of avoiding making a record for the sake of recording, she found herself working with a new highly interactive band. “All the sudden I had this burning desire to get back into the studio,” she says, “It was time.”
The other major new development for Gazarek was joining forces with Goldings, an artist who shares her love of the jazz tradition and engagement with contemporary songwriters. Goldings is best known for his work as a jazz pianist and organist, but has gained recognition as a composer, arranger and producer who has collaborated with vocal stars James Taylor, Norah Jones, Madeleine Peyroux, Tracy Chapman, Melody Gardot, India.Arie, and Luciana Souza. Even with all that varied experience, he was duly impressed by Gazarek’s range as an interpreter. “Sara combines heart and intellect in a way that really makes her stand out,” says Goldings. “Her strengths as a singer, songwriter and arranger made collaborating with Sara extremely gratifying for me.”
“I quickly learned that there is very little that Sara was unable to sing,” Goldings recalls, “whether it was odd-metered arrangements, songs with challenging intervals, feel-good swingers, or emotionally charged ballads.”
Born and raised in Seattle, Gazarek grew up without much exposure to jazz. In her early teens she was inspired by musical theater and dance, but she ended up discovering and falling in love with the jazz choir at her high school. The director, Scott Brown, became the first of several essential musical mentors, and he started steering her towards great jazz singers/musicians and classic jazz recordings.
Gazarek didn’t discover her calling until her senior year, when her school band flew to New York City to compete in the Essentially Ellington Competition, hosted by the Lincoln Center Jazz Orchestra. It was the first year that the competition included a big band vocal feature, so Gazarek joined the band, and ended up walking away with the first ever Ella Fitzgerald Charitable Foundation Vocal Soloist Award.
When Gazarek arrived at the University of Southern California, she was the only jazz studies vocal major in her class, and quickly discovered that she was way behind her peers when it came to jazz theory. She spent much of the first year off by herself studying for hours every day, listening closely to classic recordings by Miles Davis, Charlie Parker, Sonny Rollins and Hank Mobley. She studied privately with vocalists Tierney Sutton and Carmen Bradford, pianist Shelly Berg and bassist/arranger John Clayton, who become one of her most important champions.
At USC, Sara helped develop the JazzReach program, spending two years as a jazz choir director with inner city elementary school children. “I was fortunate to have a very passionate jazz educator at my high school, and know that if it wasn't for Scott, I probably wouldn't have discovered my own love of jazz. The idea of lighting that flame in even just one young musician is exciting to me.”
By 2003, people outside USC were starting to discover Gazarek. She won the prestigious Downbeat Student Music Award for Outstanding Collegiate Jazz Vocalist, a distinction that directly led to a spot on the Concord Jazz Festival Tour (with Oleta Adams, Karrin Allyson and Diane Schuur). But with the release of “Blossom & Bee” Gazarek is taking her rightful place as an original artist with a sound and concept that will continue to bloom.
Awards:Number 3 Best New Artist, Jazz Times Readers Poll, 2005
Return To You is one of the best albums to appear in 2007. Joe Montague - jazzreview.com
“…A beautiful phrased and warmly expressive performance of jazz and pop standards” Gene Stout – Seattle Times
She is such an original and completely unpretentious singer, bringing a fresh vision to the jazz standards and the contemporary songs she chooses to sing. Shannon West – SmoothViews
“Return to You is a complete gift that should endear Gazarek's fans even closer to her easygoing, youthful sound and charisma.” Paula Edelstein –All Music Guide
“Gazarek seduces, conjures and cajoles elements from her songs with the aplomb of pro's long past” Larry Sakin – blogcritics.com
“iPod worthy” -Parade Picks, Parade Magazine
“On Return to You, Gazarek, a mere 25-year-old lies on the threshold of becoming a jazz great. Her style is all her own and her voice will enlighten the darkest of dispositions.” Sari N.Kent – celebritycafe.com
“This sweet vocalist is going to knock you out.” -midwestrecord.com
“…A delicacy unmatched by most of her contemporaries.” Andrea Carter – Jazz Police
Native Language Music
Live At The Jazz Bakery (limited release)
Native Language Music
Return To You
Native Language Music
Disclaimer: All About Jazz is not responsible for the accuracy of the discographical data at the website(s) provided. If a link is no longer valid, please contact firstname.lastname@example.org. Thank you.
Los Angeles, CA
Willing to teach:
Advanced students only.
University Of Southern California, Adjunct Professor, Jazz Studies