Home » Jazz Musicians » Rob Curto
Rob Curto
Curto is a product of New York City’s diverse musical culture and has toured with artists such as Lila Downs, David Krakauer, Frank London and Cyro Batista. However, he also spent years living and playing in Brazil, completely absorbing and interpreting that country’s musical traditions. He has studied and performed with some of Brazil’s great accordionists such as Dominguinhos, Arlindo dos Oito Baixos, Camarão and Silveirinha. He has also played with artists such as star Brazilian mandolinist Hamilton de Holanda, Alencar 7 Cordas, Yamandú and Márcio Bahia. He was a member of the original scene of musicians who established a strong presence in New York City for forró, the dance music of northeastern Brazil, which has became the city’s most recent dance craze.
His group has performed at major festivals and performing arts centers such as the Ordway Center for the Performing Arts in Minneapolis, the Skirball Center in Los Angeles, the Chicago World Music Festival, Lotus Fest in Indianapolis, the Lowell Folk Festival in Lowell, Mass., the Festival International in Lafayette, La., the Chico World Music Festival in Chico, Ca., Festival International Nuits d’Afrique in Montreal, the Cotati Accordion Festival and the International Accordion Festival in San Antonio, Tx., among others.
Tags
Andrew Green: Dime Dancing: The Music Of Steely Dan
by Mark Sullivan
It is not hard to imagine jazz versions of Steely Dan songs, as they are rich in knotty harmonies and dark lyrics that belie their mainstream pop success. But you would probably have to be guitarist Andrew Green to imagine them arranged for chamber ensembles dominated by woodwinds and strings (as well as vocalist Miriam Waks and Green's guitar). Ironically, Green's dramatic departure from the iconic recordings grew out of his love for them: he was convinced that no rock ...
read more“The selections ranged from several marvelously atmospheric numbers by the great forró accordionist and composer Luiz Gonzaga to Curto's originals, which combine traditional authenticity with persuasive dashes of jazz. While the percussion rhythms were undeniably irresistible, it was the imaginative improvising that took the music well beyond the level of dance accompaniment.” --Los Angeles Times
Music
Recordings: As Leader | As Sideperson