Deborah J. Carter

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Primary Instrument: Vocal

Vocalist Deborah J. Carter was born in the U.S.A. and grew up in Hawaii and Japan. She travels extensively performing in jazz festivals, jazz clubs, seminars, and radio and TV shows through Europe and Asia with her trio or as a guest with various formations; from solo pianists to large orchestras. While on tour, she has also given master classes, often sponsored by US embassies all over the world.

This vocalist / composer / arranger definitely brings her multi - cultural experiences into her music. “We are so privileged in this day and age to have an open door to other cultures and perspectives that enrich our own.” And she brings it to light through her style. Described by the Music Maker magazine as “absolutely top-class”, she is one of the most dynamic vocalists in the jazz scene.

Deborah's latest release, called “Blue Notes and Red Shoes”, was recorded with her long-standing trio together with internationally renowned guest artists and is a prime example of her favourite genre 'metropolitan jazz'. In her own words, “It's a kind of jazz that reflects the energy and spirit of any capital city, in this 21st centrury, that has absorbed the influences and cosmopolitan aspects of its inhabitants. And it's definitely a Saturday night jazz!”

Deborah also has four other solo CD's. Her first,” 'Scuse Me...”, is a flavorful combination of jazz, latin, blues, and gospel. This CD received rave reviews from the international press and one of the first presentation concerts was at the 1998 North Sea Jazz Festival. She later launched a second CD which paid homage to the moon and the nocturnal life with the title song from her own songbook of originals: “ 'Round Moonlight”. Her third CD, “Girl-Talking!”, is a energetic live performance in The Hague, demonstrating her dynamic stage performance. Deborah's fourth CD, “Daytripper”,features eleven tracks of fresh and original versions of Beatles' material.

At a very young age Deborah began as a woodwind instrumentalist in Hawaii and later started learning music theory, arranging, and composition in her early teens in Japan. She continued her studies at the prestigious Berklee College of Music. “All throughout my younger years I was blessed with wonderful teachers and friends that encouraged and inspired me to flourish and grow in music.” She also initiated her experience in theater during her 3-year sojourn in the Orient playing several lead and supporting roles in Broadway musicals presented by a young American theater group there.

During her residency in Spain she collaborated on CD's with Max Sunyer, Carles Benavent and Salvador Niebla adding vocals to their typical brand of Mediterranean jazz. “My musical influences while living in Spain added the right amount of passion and intensity to my art.” She also worked in theater in Madrid, then formed her own jazz quintet with whom she appeared in many jazz festivals in major cities in Iberia. She has been an invited guest on national TV and radio shows in addition to acquiring ample experience as a session singer for TV and radio commercials.

Besides working with her own group, with whom she performs many of her own arrangements and compositions, Deborah also loves to sing the great jazz classics as a guest artist with a number of established European jazz orchestras. Some of these are: the Metropole Orchestra, the HR (Frankfurt Radio) Big Band, the Frankfurt Radio Symphony Orchestra, Sedavi Latin Jazz Big Band with Mike Mossman (arranger for Tito Puente), the Berlin Jazz Orchestra, the Holland Big Band, the Konrad Koselleck Big Band among others. She has done several tribute tours, among which are the “Duke Ellington Tribute” in 1999, “Tribute to Louis Armstrong” in 2000 with Scott Hamilton, and “The Jazz Legends” with Michael Varekamp and Frits Landesbergen in 2003. Other projects she was involved with was the Jazz Impuls concert series in Holland, doing a tour with the “Pitch Pine Project” playing her music from her Beatles tribute album and later touring with a “Jazz Boogaloo” program, accompanied by the B&W Quintet. At the end of 2008 she colaborated in a project, combining blues and world fusion, called Fado Blue, with Fernando Lameirinhas and the Portuguese fadista, Daisy.

Last Updated: June 14, 2009
“One of the most significant American-born jazz singers based in Europe (having lived 15 years in Spain and nearly that many in the Netherlands), Deborah Carter is a delight to hear. Not only does she have a very appealing voice and a thorough understanding of jazz, but her enthusiasm is infectious. A regular at jazz festivals, an important educator, and a frequent guest with big bands, she is most often heard with her regular trio which is featured (along with guests) throughout Blue Notes and Red Shoes. Deborah Carter has accomplished a great deal during her career thus far, and she is very much in her prime these days. Blue Notes and Red Shoes serves as a perfect introduction to her joyful artistry.” - Scott Yanow, eminent jazz critic/journalist and author of several books on jazz music and history

All About Jazz - Mark Turner: Deborah J. Carter is the epitome of a world class jazz singer.... a jazz songstress who deserves a wider audience. Greg Carrol - Director of Education IAJE Deborah is one of the hardest swinging vocalists I have heard. Musicmaker Magazine: Her jazzy repertoire is pleasant to listen to and her voice is world-class....Absolutely top-class...

Jazzdimensions - Johannes Kloth: The voice of Deborah Carter equally embodies Latin, Soul and Blues. Deborah Carter has an unbelievably powerful voice, which on her third album again is supported by, unquestionably, a rhythmically strong combo consisting of Coen Molenaar (piano), Mark Zandveld (bass) and Enrique Firpi (drums). With “Girl Talking!” Deborah Carter puts out a quite refreshing and solid live album.

Jazzdimensions: Her voice is warm, powerful, expressive and not obtrusive. She is easy to listen to. And she has really something to say.

Jazz Not Jazz: ….it's such a good album like you would expect from an US American jazz singer like Carmen Lundy, Diane Reeves or Nneena Freelon. With a great singer and a fine mixture of originals with (not so obvious) cover versions 'Round Moonlight is really a great and pleasant album that any lover of female jazz singers should have.

Goudsche Courant: She sings with a strong jazzy phrasing, and reminds sometimes of DeeDee Bridgewater, and sometimes of Sarah Vaughn.... great intensity and driven performance.

Zwolsche Courant: ...played with love and solid craftmanship. She sings relaxed, loosely swinging, and with a pinch of latin. And with that unmistakable feel that is the essence of jazz.

The Jazz Site: Deborah reminds in parts of Janis Siegel from Manhattan Transfer with her phraseology on the title track 'Scuse me' , the Turrentine influenced 'Sugar 2 me' and also Carmen Lundy ( Invitations ), Marilyn Scott (Avenida del sol) and Dee Dee Bridgewater (Here's that rainy day), yet on the Lennon and McCartney classic 'Golden Slumbers' and the silky 'breathless' she has the velvet voice of an Anita Baker ballad. Jazz Site Rating - 9 outa 10

Mindener Tageblatt: Impressive was, above all, her amazing phrasing, which shows her solid background as a saxophonist. Her gospel roots also accompany Deborah Carter in her varied musical mixture from rhythm-and-blues, pop jazz, and latin. Her voice runs through a fascinating range, and masters even high registers seemingly easily.

Groninger Dagblad: Voice, timing, charisma, all perfect.

De Telegraaf Deborah has a beautiful voice, perfect timing, [with] immaculate delivery with [soul-stirring] influences by the great women of jazz, Ella Fitzgerald, Sarah Vaughn and Dinah Washington. Seemingly effortlessly she expanded her interest and skills to encompass Latin-jazz, funk and blues.

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