Born: July 23, 1983 Primary Instrument: Sax, tenor
Contemporary, smooth, and eclectic--three words that just begin to describe Albert Rivera, a modern Jazz Messenger with one of the most exciting and sought-after saxophone sounds in today's jazz scene. His first album, Re-Introduction (Turnaround Records), was warmly embraced by critics, who call Albert and his two band mates, Luques and Zaccai Curtis, three young artists who are part of the next wave in this jazz ritual. His new album, Inner Peace, is due out in August on Turnaround Records.
Inner Peace will be the latest accomplishment in Rivera's acclaimed musical career. Born in Bronx, NY, Albert began playing as a classical musician at age ten, and he made his first appearance at Carnegie Hall two years later. When studying at the selective LaGuardia High School for Music and Arts program, Rivera discovered jazz, and he was instantly hooked. I was speechless the first time I heard Charlie Parker and John Coltrane.
Rivera's distinct style has been greatly influenced by classic jazz greats like Coltrane and by more contemporary sounds, like those of Joshua Redman. When I first heard Elastic by Redman, I knew it was only a matter of time before I adapted it to my own voice. In my music, when composing new sounds, I use the modal aspect of John Coltrane's works as a creative launching pad, mixing in a variety of grooves and rhythms. My music can make you move, it may make you think, and it definitely will evoke your emotions.
Rivera's musical journey includes playing at world-renown venues like the Litchfield Jazz Camp and Festival in Connecticut and the New School University Jazz and Contemporary Music Program. Albert has enjoyed the priceless opportunity to play and learn alongside some of the greats in jazz performance, like Don Braden, Jimmy Greene and Claudio Roditi. Others in this illustrious group who have influenced Rivera included Reggie Workman, Chico Hamilton, Billy Harper, Rachel Z, and Charlie Persip.
Rivera has toured throughout North America with his own Trio and Quartet, including playing at several New York venues like Smalls Jazz Club, Sweet Rhythm, Zinc Bar, Cleopatra's Needle, Nyorican Poets Cafe and the River Room of Harlem. He appears often in Connecticut, at clubs like Szechuan Tokyo in West Hartford, or Black Eyed Sally's in Hartford. He can also be found performing in top venues in the northeast such as Chris Jazz Cafe in Philadelphia, the Haven Lounge or An Die Musik in Baltimore, and B Smiths or the Smithsonian Museum of Natural History in Washington, D.C.
Critics have long admired Rivera's original and fluid saxophone style. Elliott Simon reviewed Re-Introduction in All About Jazz, writing that Rivera's compositions are diverse, these musicians hit the pocket and sustain a powerful group dynamic. Tony Hall, of Jazz Wise Magazine, added that Rivera has a timeless tenor tone.
Rivera also has a distinguished musical education career. He teaches at the well-known Litchﬁeld Jazz Camp, where he is now on the faculty coaching both young and old players. He also is starting new programs to expose and teach a greater number of children about jazz. If you're already a fan of Albert Rivera, or if you're just starting your journey onto the jazz scene, visit Albert online.
Awards:2009 Ascap Young Jazz Composers Award
Three young artist(Albert, Luques and Zaccai Curtis) who are part of the next wave in this jazz ritual Frank Alkyer, Downbeat Magazine
“Rivera has a timeless tenor tone and a special sensitivity on soprano.” Tony Hall- Jazz Wise Magazine
While Rivera's compositions are diverse, these musicians hit the pocket and sustain a powerful group dynamic. In addition to Rivera's tenor and soprano sax playing that burns on the boppers and soothes on the ballads, drummer Ralph Peterson is at the center of this session, using exquisite texture and a melodic approach to ground and augment these compositions. Elliot Simon, All About Jazz
As a versatile composer, Rivera ranges from celebratory flag-wavers to luminous ballad pieces like Greentones, illuminated with the iridescent classicism of a John Lewis piece Owen Mcnally, Hartford Courant
A fearsome young saxophonist Brain Slattery, New Haven Advocate
Willing to teach:
Advanced students only.