Born: December 8, 1962 Primary Instrument: Saxophone
Last Updated: July 20, 2007Rhythm and Transformation
ArtistShare
Year Released: Winter 2007
Personnel: Eddie Henderson: Trumpet, Ray Spiegel: Tabla, Bruce Barth: piano, Ugonna Okegwo: Bass, Billy Hart: drums
Brightly Dark
Satchmo Jazz
Year Released: 2003
Personnel: Bruce Barth: Piano, Ray Drummond: Bass, Billy Hart: drums
The Wishing Well
Double Time Jazz
Year Released: 2000
Personnel: Bruce Barth: Piano, Ray Drummond: Bass, Billy Hart: drums
Live at Smalls
Double Time Jazz
Year Released: 1998
Personnel: Tom Harrell: Trumpet, Jonny King: Piano, Gerald Cannon: Bass, Shingo Okudaira: drums
Fire
Concord Records
Year Released: 1996
Personnel: Kenny Barron: Piano, Gerald Cannon: Bass, Billy Hart: drums, Shingo Okudaira: Drums
As A Side Musician
Stepping UP
Leader: Jim Donica
Apria Records
2006
Personnel: Jim Donica: Bass, Randy Brecker: Trumpet, Bruce Barth:Piano, Peter Erskine: Drums, Tim Armacost and Justin Flynn: Tenor Saxophones
Way Out East
Leader: Bill Moring
Apria Records
2005
Personnel: Bill Moring: Bass, Tim Armacost: Saxophones, Jack Walrath: Trumpet, Steve Johns: Drums
Hot House
Leader: Don Friedman
Chiaroscuro Records
2004
Personnel:Friedman: Piano Ron McClure: Bass, Tony Jefferson: Drums, Tim Armacost: Saxophones
Disclaimer: All About Jazz is not responsible for the accuracy of the discographical data at the website(s) provided. If a link is no longer valid, please contact discography@allaboutjazz.com. Thank you.
Primary Instrument:
Saxophone
Location:
Hastings on Hudson, NY
Willing to teach:
Intermediate to advanced students
Credentials/Background:
Armacost was the head of the Saxophone Department at the Sweelinck Conservatory, Amsterdam, from
1987 until 1991. He left the school to concentrate more on performing. Armacost is currently on the
faculty of the Aebersold Summer Jazz Workshop, does frequent guest appearances at colleges and high
schools around the world, and teaches individuals at his home outside of New York City. Armacost is also
working towards a masters degree in jazz composition at Queens College, under the guidance of Michael
Mossman.






























