Primary Instrument: Band/orchestra
Karavika(formerly Tiger Lilies) is a New York City based ensemble led by violinist Trina Basu and cellist Amali Premawardhana. As its members hold roots in places as diverse as India, Sri Lanka and North America, Karavika brings a fresh new perspective to the music of its varying cultural backgrounds. Drawing upon influences of nature, beauty, simple folk melodies and complex classical compositions, Karavika's music seeks to blend creative improvisations and arrangements with authentic traditions. They are joined by bassist Perry Wortman and Avi Shah on tabla.
Since its creation, Karavika has been active in the music scene in New York City, and has frequented venues such as Drom world music venue, the lovely and intimate Caffe Vivaldi, Brooklyn’s House of Yes, and the Brooklyn Lyceum...
“Karavika’s music is a powerfully sincere blend of American and Indian musical influences. They craft beautiful string arrangements that soar above versatile bass playing and virtuosic tabla grooves . Drawing heavily on improvisational styles, every performance I’ve been to is a unique experience.” -Mike Block, cellist, Silk Road Ensemble
I am deeply touched by the creative spirit of Karavika. Their genuine and sincere desire to express their understanding of Indian culture and heritage, as prevalent in Indian music, is truly impressive. They have the tools and know how to use them. In all respect Karavika assures me of the true essence of Indian music being maintained while presented in the western context. - Samir Chatterjee, renowned tabla player & founder, Chhandayan Center for Indian Music
Willing to teach:
Advanced students only.
Karavika has presented performance demonstrations and workshops at such venues as the Brooklyn Children's Museum. Members of the ensemble teach private and group classes throughout the NY/NJ tri-state area.
Karavika clinics explore the concept of Indian raga (melodic element) and tala (rhythmic element). Discuss the process of breaking down old classic and folk songs and revamping them in a chamber/jazz setting. Improvising within a raga/tala system.