Born: August 3, 1968 Primary Instrument: Piano
A San Francisco Bay Area native, Michelle began writing songs at age 11. She took formal piano lessons sporadically but preferred playing by ear, also picking up bass and guitar in her teens. Michelle has embraced many musical styles over her career; her performance and recording credits include orchestra member in Lou Harrison’s internationally renowned Gamelan Si Betty (Indonesian orchestra), keyboardist for Chepito Areas (Santana’s original percussionist/arranger), chorus member in a Gilbert & Sullivan theater company, bassist for a grunge band, leader of a piano-based singer/songwriter project, and more. Besides studying classical and jazz piano (through SJSU and privately with Martan Mann), she has studied Latin piano/arranging (privately with Rebeca Mauleon) and Latin percussion (with Dan Sabanovich). Michelle is also co-author of a music-education book/CD called Musicreation.
Before launching her piano-based band, Michelle co-led Zarate Pollace Project with guitarist Abel Zarate (who also wrote hit songs for Malo and Willie Bobo). ZPP enlisted the musical contributions of many Bay Area luminaries, including John Santos, Paul VanWageningen, Dave Belove, Michael Spiro, Curtis Ohlson, and others to realize the blend of jazz, fusion, Brazilian, and Afro-Cuban styles comprising ZPP's music. ZPP released the CD Soul Redemption (2005), which garnered worldwide radio airplay and favorable reviews.
Michelle released her latest CD, New Beginning, March 2013. The CD features some of the San Francisco Bay Area's top-call musicians — producer Rebeca Mauleon; David Belove on bass; Phil Hawkins on drums; Carlos Caro and Michaelle Goerlitz on percussion; and saxophonist Kristen Strom.
Michelle Pollace is a very gifted pianist and composer. Her original compositions shine with heart and beauty. — Mari Hall, visual artist
Michelle Pollace is a dream keyboardist for any guitarist and/or horn player, but stands on her own just fine. Lovely chord voicings, pulsating montunos, along with superb fusion chops on a moment's notice; what a treat she is to hear. — Oscar Moreno, gig review for Moonflower Cafe, July 2007