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Carmen Rothwell
Her first 24.5 years of life were spent in Seattle, where she ate and slept and did most of her homework and always made sure to play with her cats. She also played bass with a variety of excellent people, mostly jazz-ish or improvised- type music but sometimes other things too. Through college and beyond, she gigged often with the various bands/projects that she was in with her friends. Some of those bands (such as Tyrant Lizard and The Sky is a Suitcase) still play and record! Carmen also got to play with many of the non-millennial musicians who were on the scene in Seattle or just passing through, including Cuong Vu, Bill Frisell, Billy Hart, Ted Poor, Wayne Horvitz, and Wally Shoup.
She moved to NYC in September of 2016, where she has been working on maintaining her person-ness. New and exciting musical things include a trio called Scree, a solo project called Parenthetical Girl, and gigs with David Murray, Andrew D’Angelo, and others.
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Allegra Levy: Lose My Number
by Angelo Leonardi
Dopo aver esplorato nell'ultimo Looking at the Moon tredici song ispirati alla luna (dai classici standard Blue Moon" e Moon River" ai più recenti Harvest Moon" di Neil Young e Pink Moon" di Nick Drake) la cantante Allegra Levy sviluppa nel quarto disco un percorso più impegnativo. Ha scritto delle liriche per nove composizioni di John McNeil, che è stato suo insegnante e mentore al New England Conservatory e l'ha supportata anche in altre incisioni. Il trombettista californiano è ...
read moreAllegra Levy: Lose My Number
by Jerome Wilson
Allegra Levy is a young singer who has made a reputation for herself through her witty songwriting and performing. She has sung a lot of her own songs on previous releases but on this one, she changes things slightly by writing her own lyrics to the music of trumpet player John McNeil. McNeil was Levy's mentor at the New England Conservatory and she complements his slightly off-balance tunes with lyrics that range from the dark and sardonic to ...
read moreDave Douglas: Dizzy Atmosphere: Dizzy Gillespie At Zero Gravity
by Giuseppe Segala
Chi si aspetta da questo disco un omaggio fedele all'approccio umoristico e pirotecnico di Dizzy Gillespie, non conosce Dave Douglas. Il trombettista, che ha compiuto lo scorso marzo cinquantasette anni, ha mostrato nelle frequenti dediche ai protagonisti della storia del jazz la propria propensione del tutto personale a tale pratica: lo ha fatto tra l'altro con Mary Lou Williams, Wayne Shorter, Booker Little. Nello splendido Devotion, pubblicato lo scorso anno, in trio con Uri Caine e Andrew Cyrille, c'erano pure ...
read moreDave Douglas: Dizzy Atmosphere: Dizzy Gillespie At Zero Gravity
by Dan McClenaghan
The distinctive trumpet of Dizzy Gillespie (1917-1993), with the idiosyncratic upward angle of its bell, is transformed into a starship on the cover of Dave Douglas' Dizzy Atmosphere: Dizzy Gillespie in Zero Gravity, seemingly soaring above the stratosphere, in Earth orbit. Douglas has a history of nodding to past greats: pianist Mary Lou Williams on Soul On Soul (Sony Legacy, 2000), saxophonist Wayne Shorter on Stargazer (Arabesque, 1997), and on a pair of Riverside discs that explored the music of ...
read moreCarmen Rothwell: The Art of Intuition
by Paul Rauch
Seattle, a city synonymous with alternative rock, has long sustained a provincial jazz culture, without a signature sound, but with an openness to innovative, progressive invention. To outside jazz partisans, the city is known for phenomenal high school talent that usually flies the coop, heading east for conservatory training and to pursue professional ambitions. Seattle's creative pulse is often driven by boomerang musicians like trumpeter Thomas Marriott and drummer Matt Jorgensen, who headed to New York, but eventually ...
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Samba de Beach
From: Lose My NumberBy Carmen Rothwell