Alan Broadbent

Born: April 23, 1947    Primary Instrument: Piano

Alan Broadbent

Alan Broadbent was born in Auckland, New Zealand and in 1966, at the age of 19, received a Downbeat Magazine scholarship to attend Berklee College of Music in Boston. In 1969 he was asked to join Woody Herman's band as his pianist and arranger for 3 years. In 1972 he settled in Los Angeles, beginning a musical relationship with the legendary singer Irene Kral (no relation to Diana Krall). Soon he was also invited into the studio scene as a pianist for the great Nelson Riddle, David Rose and Johnny Mandel. In the early 90s he was asked to be a part of Natalie Cole's famous “Unforgettable” cd, at which time he toured as her pianist and, a little while later, as her conductor. At this time he wrote an orchestral arrangement for her second video with her dad, “When I Fall In Love”, which won him his first Grammy for “best orchestral arrangement accompanying a vocal”....
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- 2010: Grammy Nomination, Best Improv. Solo “Solar”, CD “Live at Giannelli Square, Vol. 1″

- 2006: Grammy Nomination, Best Improv. Solo “What’s New”, CD “You And the Night and The Music”

- 2005: Grammy Nomination, Best Improv. Solo “Round Midnight”, CD “‘Round Midnight”

- 2002: Grammy Nomination, for “I’m Glad There Is You”, CD Natalie Cole “Ask A Woman Who Knows”

- 1999: Grammy Award, for “Lonely Town” arrangement, CD Charlie Haden Quartet West “The Art Of The Song”

- 1997: Grammy Nomination, Best Composition “Every Time I Think Of You”, CD “Personal Standards”

- 1996: Grammy Award, for “When I Fall In Love”, CD Natalie Cole “Stardust”

“Alan Broadbent in Brooklyn: A Close Encounter with a Jazz Titan”
—-Gig review, Allen Morrison, DownBeat Magazine, 8. April 2014

“The gossamer orchestrations by two heavyweights - Johnny Mandel and Alan Broadbent - float like milkweed behind Mr. McCartney's voice.”
—-Review for Sir Paul McCartney's new CD, -Kisses on the Bottom-, Stephen Holden, The New York Times, 6. February 2012

“He makes damn fine piano trio records, one after the other, but they only hint at his live persona.”
—-Thomas Conrad, JazzTimes, January/February 2009

“one of the major keyboard figures of the day.”

“compelling...the New Zealand-born pianist sparks highly original conversations between his hands.”

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