Born: July 22, 1953 Primary Instrument: Guitar
Jimmy Bruno, born July 22, 1953 in Philadelphia, Pennsylvania, is a master jazz guitarist and jazz educator. One of the most critically acclaimed jazz guitarist performing today, Jimmy Bruno came to prominence as a jazz musician in the 1990’s, after a successful twenty-year career as a sought-after commercial guitarist and session musician.
“Get on the bus-we leave tonight”
Those were the words that began Jimmy Bruno’s professional career as a guitarist. Most of the other guitarists auditioning for Buddy Rich’s band that day in 1973 were getting drumsticks thrown at them, Buddy’s not-so-subtle way of showing disapproval. But not 19 year-old Jimmy; he got the gig. A Philadelphia native, he was born into a family no strangers to the music world. Jimmy’s father played guitar on the 1959 hit “Guitar Boogie Shuffle” with Frank Virtue. Jimmy’s mom was a gifted singer.
Living in such a musical household, playing guitar 8 to 10 hours a day was normal for this south Philly kid. He hungrily soaked up everything his father could teach him, landing on national television at age 13, the winner of the Ted Mack Original Amateur Hour. Soon he was studying jazz improvisation with local bass legend Al Stauffer. To develop technique, he taught himself to play the violin etudes of Wohlfahrt and Paganini. Although he briefly considered leveraging his perfect SAT scores into medical school, a summer guitar gig in Wildwood NJ (with Larry Cartell), changed the direction of Jimmy’s life forever. He was 17 and has never had a job unrelated to guitar playing since.
After a whirlwind round-the-world tour as the youngest member of the Buddy Rich Orchestra, he went on to play guitar in orchestras for Frank Sinatra, Wayne Newton, Lena Horne, and many more music icons. During his years as an LA session musician with Tommy Tedesco, Jimmy played on dozens of TV and film scores. But his first love was always jazz, and by the time he was in his mid-thirties he was ready to come out of the background and into the spotlight.
Paying his dues by playing blistering guitar in the small clubs and venues around his beloved Philadelphia during the 1980’s, his reputation as one of the hottest guitar players grew. In 1992 he landed a multi-CD recording deal with legendary jazz label Concord Records. Since then Jimmy has recorded over 13 critically acclaimed CDs, including “Sleight of Hand,” “Like That,” and “Polarity.” His most recent CD “Maplewood Avenue” (Affiliated Artists Records) was described as having “…a 'classic' feel to it...like a famous album we somehow hadn't discovered yet.” Jimmy performs constantly as leader of the Jimmy Bruno Trio in jazz venues and jazz festivals around the world, including the Iridium in New York and Blues Alley in Washington DC. He is often described as one of the greatest jazz guitarists of all time.
Jimmy recently entered a third phase of his career when, in May of 2007, he opened the Jimmy Bruno Guitar Institute (JBGI). With his unique insight into jazz and jazz guitar, Jimmy is constantly in demand to teach master classes. Now, employing the latest Internet and video technology, Jimmy’s method and “no nonsense” approach to jazz improvisation is available to guitar students around the world. With virtually no advertising, there are already hundreds of students representing over 32 countries studying at the online JBGI. In response to this innovation and his long-time reputation as a jazz educator, Jimmy has been invited to address the Jazz Improv Education Conference at their October gathering. Teaching hundreds of guitarists around the world, and maintaining a busy performance and recording schedule, Bruno is one of the hardest-working guitarists in the business. He shows no signs of slowing down
Jazz guitarists just don’t come any better. Jimmy Bruno combines a dazzling virtuoso technique with drive and swing to produce, in concert and on record, superb and inspired lyrical improvisations. Maurice J. Summerfield, Author of The Jazz Guitar Guide
...Jimmy Bruno has no peers. His taste, concept and technique is unsurpassed as a jazz guitar player... Johnny Smith
1994 - Burnin' - Concord Records
1995 - Concord Jazz Guitar Collective - Concord Records
1996 - Like That - Concord Records
1997 - Full Circle- Concord Records
1997 - Live at Birdland 1 - Concord Records
1997 - Live at Birdland 2 - Concord Records
2000 - Polarity (with Joe Beck)- Concord Records
2000 - Two for the Road (with Jenifer Leitham)- Azica Records
2001 - Midnight Blue – Concord Records
2004 - Solo – Mel Bay Records
2006 - MB3 (with Corey Christensen and Vic Juris) - Mel Bay Records
2007 - Maplewood Avenue – Affiliated Artists Records
Disclaimer: All About Jazz is not responsible for the accuracy of the discographical data at the website(s) provided. If a link is no longer valid, please contact firstname.lastname@example.org. Thank you.
Willing to teach:
Advanced students only.
Improvisation is the heart of jazz. I'll show you how to do right; give you exercises to lock it in tight. I’ll teach you the fundamentals of chords and chord soloing (you'll never need a chord encyclopedia again).
It’s all about the music. We’ll apply what you’ve learned to the song of your choice (or I’ll get you started on tone of the jazz standards).
I'll teach you how to practice productively. No more wasted time.
Jimmy Bruno Guitar Institute is the best way to learn guitar from me now. I have found that my online students are learning faster than my private students. You can watch the videos I've posted (there are over 500 videos and Master Classes to learn from) any time you want. I don't charge and extra fee for anything. As you practice your way through the lessons, upload a video to me and I will respond with my comments and next assignment. Often I respond with a video so that the other students can learn along with you. Sometimes an email will keep you on the right track, but to get the most out of the Institute and having access to me, you should post a video. We start with the very basics of jazz and the lessons evolve into improvising as well as tune analysis. The lesson material is very comprehensive and the very active worldwide community of guitarists helps with many questions and jazz related topics.