Born: April 20, 1908 | Died: August 31, 2002 Primary Instrument: Vibraphone
Lionel Hampton is one of the most extraordinary musicians of the 20th century and his artistic achievements symbolize the impact that jazz music has had on our culture in the 21st century.
He was born April 20, 1908 in Louisville, Kentucky. His father, Charles Hampton, a promising pianist and singer, was reported missing and later declared killed in World War I. Lionel and his mother, Gertrude, first moved to Birmingham, Alabama, to be with her family, then settled in Chicago.
He attended the Holy Rosary Academy, near Kenosha, Wisconsin, where a Dominican sister give him his first drum lessons.
Later, while attending St. Monica's School in Chicago, Lionel got a job selling papers in order to join the Chicago Defender's Newsboys Band. At first, he helped carry the bass drum, and later played the snare drum.
While in high school, Les Hite gave Lionel a job in a teenage band. Later, the 15-year-old Lionel, who had just graduated from high school, promised his grandmother he would continue to say his daily prayers and left for Los Angeles to join Reb Spikes's Sharps and Flats. He also played with Paul Howard's Quality Serenaders and a new band organized by Hite, which backed Louis Armstrong at the Cotton Club.
In 1930, Hampton was called in to a recording session with Armstrong, and during a break Hampton walked over to a vibraphone and started to play. He ended up playing the vibes on one song. The song became a hit; Hampton had introduced a new voice to jazz and he became King of the Vibes.
When Benny Goodman heard him play, Goodman immediately asked Hampton to record with him, Gene Krupa on drums and Teddy Wilson on piano. The Benny Goodman Quartet recorded the jazz classics Dinah, Moonglow, My Last Affair, and Exactly Like You. Hampton's addition to the groups also marked the breaking of the color barrier; the Benny Goodman Quartet was the first racially integrated group of jazz musicians.
Hampton and his wife, Gladys, were married Nov. 11, 1936. Gladys served as his personal manager, and developed a reputation as a brilliant businesswoman. She was responsible for raising the money for Lionel to start his own band.
As a bandleader, he established the Lionel Hampton Orchestra that became known around the world for its tremendous energy, dazzling showmanship and first-class jazz musicianship. Sunny Side of the Street, Central Avenue Breakdown, his signature tune, Flying Home, and Hamp's Boogie-Woogie all became top-of-the-chart best-sellers upon release and the name Lionel Hampton became world famous overnight, and the Lionel Hampton Orchestra had a phenomenal array of sidemen.
The band also initiated the first phase of Hampton's career as an educator by graduating such talents as Illinois Jacquet, Cat Anderson, Dexter Gordon, Art Farmer, Clifford Brown, Fats Navarro, Clark Terry, Quincy Jones, Charles Mingus, Wes Montgomery, and singers Joe Williams, Dinah Washington, Betty Carter and Aretha Franklin. The Lionel Hampton Orchestra became known around the world for its tremendous energy, dazzling showmanship and first-class jazz musicianship.
As a composer and arranger, Hampton wrote more than 200 works, including the jazz standards Flying Home, Evil Gal Blues, and Midnight Sun. He also composed the major symphonic work, King David Suite.
As a statesman, he was asked by President Eisenhower to serve as a goodwill ambassador for the United States, and his band made many tours to Europe, Africa, the Middle East, and the Far East, generating a huge international following. President George Bush appointed him to the Board of the Kennedy Center, and President Clinton awarded him the National Medal of the Arts.
As a businessman, he established two record labels, his own publishing company, and he founded the Lionel Hampton Development Corporation to build low-income housing in inner cities.
In his continuing role as an educator, he began working with University of Idaho in the early 1980s to establish his dream for the future of music education. In 1985, the University named its jazz festival for him, and in 1987 the University's music school was named the Lionel Hampton School of Music. Nearly 20 years later, the University of Idaho has developed an unprecedented relationship with Hampton by ensuring that his vision lives through the Lionel Hampton Center, a $60 million project that will provide a home for jazz, housing the university's Jazz Festival, its School of Music, and its International Jazz Collections, all designed to help teach and preserve the heritage of jazz.
His lifetime of swinging is well documented through hundreds of recordings, many of which rank among the best in jazz, and all of which will be housed and studied inside the Lionel Hampton Center in Moscow, Idaho, slated to open in 2006.