Born: November 18, 1909 | Died: June 25, 1976 Primary Instrument: Composer/conductor/leader
When people write about Johnny Mercer, they usually talk about his fabulous career, the sheer quantity of his output, the speed and ease with which he wrote, his southern charm, the hip sophistication of his lyrics. But all this misses the real point. Ask anyone who writes lyrics. Johnny Mercer was a genius.
He was born John Herndon Mercer on November 18, 1909 into an old Southern family in Savannah, Georgia. His father was a wealthy attorney with a flourishing real estate business, and young John was sent to a fashionable prep school, the Woodbury Forrest School in Virginia. However, when he was 17, his father's business collapsed, and his father found himself a million dollars in debt. Rather than declare bankruptcy, his father dedicated the rest of his life to paying off that debt, and suddenly young John Mercer, no longer able to go on to college, was on his way to New York City, hoping to make good as an actor.
Acting, however, was not to be Mercer's destiny. He got a few bit parts, and took other jobs to survive, including a stint as a Wall Street runner, but his first small break came in 1930 when a song for which he had written the lyric was sung on Broadway in The Garrick Gaieties of 1930. In 1932, he won a singing contest and landed a job as singer with the Paul Whiteman Band. Whiteman introduced him to Hoagy Carmichael, and soon Mercer and Carmichael had a hit with Lazybones (1933). Composers quickly discovered his talent, and his career as a lyricist took off.
In 1933, he moved to Hollywood, where he began writing songs for the movies. Meanwhile, his singing career continued to grow. He sang duets with people like Jack Teagarden and Bing Crosby. In 1938 and 1939, he was a singer with the Benny Goodman Band, and by the early 1940s he was popular enough to have his own radio show, Johnny Mercer's Music Shop.
In 1942, together with fellow songwriter (and film producer) Buddy De Sylva and businessman Glen Wallichs, he founded Capitol Records and became Capitol's first President and chief talent scout. Soon, he had signed up such performers as Stan Kenton, Nat King Cole, Jo Stafford, and Margaret Whiting, and by 1946 Capitol was responsible for one sixth of all records sold in the U.S.
In 1946, he teamed up with Harold Arlen to write the Broadway musical St. Louis Woman. The show was not a success, but it included such classic songs as Any Place I Hang My Hat Is Home, I Wonder What Became Of Me, I Had Myself A True Love, Come Rain Or Come Shine.
In that same year, he won his first Academy Award, for On The Atchison, Topeka, And Santa Fe(music by Harry Warren), sung by Judy Garland in The Harvey Girls.
His second Oscar came for In The Cool, Cool, Cool Of The Evening (music by Hoagy Carmichael), which Bing Crosby and Jane Wyman sang in the 1951 film Here Comes the Groom. Also in 1951, he wrote the score, both words and music, for the successful Broadway musical Top Banana.
In 1954, he wrote the lyrics to Gene De Paul's music for the classic Hollywood musical Seven Brides for Seven Brothers. In 1956, he and De Paul teamed up again to turn out the score for the hit Broadway musical Li'l Abner, which included Jubilation T. Cornpone.
His father had died in 1940, having succeeded in paying off $700,000 of the million he owed. In 1955, Mercer sold his share in Capitol records and, finally able to do so, surprised his father's creditors by using $300,000 of the proceeds to pay off the remainder of the debt.
In 1961, he wrote Moon River (music by Henry Mancini) for the film Breakfast at Tiffany's, winning his third Academy Award. And the next year, he became the first songwriter to win a fourth Oscar, this time for the title song to the 1962 film Days of Wine and Roses (music again by Mancini).
He was the founding president of the Songwriters Hall of Fame, where his outstanding business skills were tremendously valuable in getting the organization off to a sound start. He also initiated planning, together with Oscar Brand for a Songwriters Hall of Fame archive and museum.
Mercer wrote hit songs in four different decades, from the 1930s through the 1960s. Among Mercer's many well-known songs are P.S. I Love You (1934, Gordon Jenkins), Goody Goody (1936, Matt Melneck), I'm An Old Cowhand (1936, words and music), Bob White (Whatcha Gonna Swing Tonight?) (1937, Bernie Hanighen), Too Marvelous For Words (1937, Richard Whiting), Jeepers Creepers (1938, Harry Warren), Hooray For Hollywood (1938, Richard Whiting), Day In--Day Out (1939, Rube Bloom), I Thought About You (1939, Jimmy Van Heusen), Fools Rush In (1940, Rube Bloom), Blues In The Night (1941, Harold Arlen), Skylark (1941, Hoagy Carmichael), I Remember You (1942, Victor Schertzinger), I'm Old Fashioned (1942, Jerome Kern), That Old Black Magic(1942, Harold Arlen), Hit The Road To Dreamland (1942, Harold Arlen), My Shining Hour (1943, Harold Arlen), One For My Baby (1943, Harold Arlen), Ac-Cent-Tchu-Ate The Positive (1944, Harold Arlen), Let's Take The Long Way Home(1944, Harold Arlen), G.I. Jive (1944, words and music), Laura (1945, David Raskin), Out Of This World (1945, Harold Arlen), Early Autumn (1949, Woody Herman and Ralph Burns), Autumn Leaves (1950, English version of a French song, music by Joseph Kozma), Here's To My Lady (1951, Rube Bloom), Something's Gotta Give (1955, words and music), Satin Doll (1958, Duke Ellington), Charade (1963, Henry Mancini), Summer Wind (1965, Henry Mayer), and How Do You Say Aug Wiedersehn? (1967, Tony Scibetta).
Mercer's lyrics combine a keen appreciation of American colloquialisms with a profoundly poetic sensibility. At their best, they have a richness and emotional complexity that is simply amazing.
While working on a new musical in London with Andre Previn, Mercer learned that the headaches he had been having were due to a brain tumor. Planning ahead, he arranged for his friend Sammy Cahn to take over as president of the National Academy of Popular Music (the parent organization of the Songwriters Hall of Fame).
Johnny Mercer died on June 25, 1976 in Los Angeles, California.
Awards:Mercer won four Academy Award for Best Original Song:
"On the Atchison, Topeka and the Santa Fe" (1946) (music by Harry Warren) for The Harvey Girls
"In The Cool, Cool, Cool Of The Evening" (1951) (music by Hoagy Carmichael) for Here Comes The Groom
"Moon River" (1961) (music by Henry Mancini) for Breakfast at Tiffany's
"Days of Wine and Roses" (1962) (music by Henry Mancini) for Days of Wine and Roses
"Save the Bones for Henry Jones"
"Moon Dreams" with Chummy MacGregor
"P.S. I Love You" (1934) (music by Gordon Jenkins)
"Goody Goody" (1936) (music by Matty Malneck)
"I'm an Old Cowhand from the Rio Grande" (1936)
"Hooray for Hollywood" (1937) (music by Richard A. Whiting)
"Too Marvelous for Words" (1937) (music by Richard A. Whiting)
"You Must Have Been a Beautiful Baby" (1938) (music by Harry Warren)
"Jeepers, Creepers!" (1938) (music by Harry Warren)
"And the Angels Sing" (1939) (music by Ziggy Elman)
"Day In, Day Out" (1939) (music by Rube Bloom)
"I Thought About You" (1939) (music by Jimmy Van Heusen)
"Wings Over the Navy" (1939) (music by Harry Warren)
"Cuckoo in the Clock" (1939) (music by Walter Donaldson)
"Fools Rush In" (1940) (music by Rube Bloom)
"Blues In The Night" (1941) (music by Harold Arlen)
"I Had Myself A True Love" (music by Harold Arlen)
"I Remember You" (1941) (music by Victor Schertzinger)
"Tangerine" (1941) (music by Victor Schertzinger)
"This Time the Dream's on Me" (1941) (music by Harold Arlen)
"Hit The Road To Dreamland" (1942) (music by Harold Arlen)
"That Old Black Magic" (1942) (music by Harold Arlen)
"Trav'lin' Light" (1942) (music by Jimmy Mundy and James Osborne "Trummy" Young)
"Skylark" (1942) (music by Hoagy Carmichael)
"Dearly Beloved" (1942) (music by Jerome Kern)
"I'm Old Fashioned" (1942) (music by Jerome Kern)
"My Shining Hour" (1943) (music by Harold Arlen)
"One for My Baby (and One More for the Road)" (1943) (music by Harold Arlen; theme song of the 1957-1958 NBC detective series, Meet McGraw, starring Frank Lovejoy)
"Dream" (1943) (words and music by Johnny Mercer)
"Ac-Cent-Tchu-Ate the Positive" (1944) (music by Harold Arlen)
"Out of This World" (1945) (music by Harold Arlen)
"Laura" (1945) (music by David Raksin)
"Come Rain Or Come Shine" (1946) (music by Harold Arlen)
"Any Place I Hang My Hat Is Home" (1946) (music by Harold Arlen)
"Autumn Leaves" (1947) (music by Joseph Kosma)
"Glow Worm" (1952) (music Paul Lincke)
"Satin Doll" (1953) (music by Duke Ellington and Billy Strayhorn)
"Midnight Sun" (1954) (music by Lionel Hampton and Sonny Burke)
"Something's Gotta Give" (1954) (words and music by Johnny Mercer)
"Jubilation T. Cornpone" (1956) (music by Gene de Paul)
"I'm Past My Prime" (1956) (music by Gene de Paul)
"Moon River" (1961) (music by Henry Mancini)
"Days of Wine and Roses" (1962) (music by Henry Mancini)
"I Wanna Be Around" (1962) (words and music by Johnny Mercer and Sadie Vimmerstedt)
"Charade" (1963) (music by Henry Mancini)
"Lorna" (1964) (music by Mort Lindsey)
"Emily" (1964) (music by Johnny Mandel)
"Summer Wind" (1965) (music by Henry Mayer)
"Whistling Away The Dark" (1970) (music by Henry Mancini; from the film Darling Lili)
"Drinking Again" (with Doris Tauber)
"When October Goes" (music by Barry Manilow)
Disclaimer: All About Jazz is not responsible for the accuracy of the discographical data at the website(s) provided. If a link is no longer valid, please contact firstname.lastname@example.org. Thank you.