Nick Mazzarella

Primary Instrument: Sax, alto

Born: July 15, 1984    

Nick Mazzarella

Alto saxophonist and composer Nick Mazzarella (b. 1984) has been a participant in Chicago’s jazz, free jazz, improvised music, and rock scenes as a bandleader, sideman, and presenter since 2002. After completing his formal music education at DePaul University (Bachelor of Music 2006, Master of Music 2009), he began performing regularly with his own groups and with projects led by his peers at venues throughout the city and the United States. His efforts have been especially concentrated around the activities of his primary working band, the Nick Mazzarella Trio, the musician and presenter collective Umbrella Music, and the Ratchet Series, a grass roots effort to establish a performance haven for free jazz on the south side of Chicago. Equally at home in the worlds of the traditional and the avant-garde, Mazzarella maintains a continuous performance schedule encompassing a variety of musical contexts, but focuses the majority of his energy on the areas of composition-based free jazz and free improvisation. It is through his work in these stylistic mediums that Mazzarella has developed a distinctive voice....
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”Volcanic Chicago saxophonist Nick Mazzarella is more technical than many fire-­breathing horn men; an overdriven parry may consist of a series of precisely articulated arpeggios rather than a giant slur. His buoyant freebop has a joyous sound and feel all its own.” - John Corbett, Chicago Reader

”Mazzarella’s prowess stems from his billowing timbre and clarity of thought.” - Neil Tesser,

“To hear Nick Mazzarella play the alto saxophone is to hear a well-honed connection between his creative impulse and the horn that becomes an extension of his musical identity. It is a creative instinct steeped in jazz history and brimming over with a passion for free improvisation. In Chicago’s community of aggressively original talent and dedicated musicianship, his ability stands out. His trio has become an important vehicle for realizing his musical ideas, and it has become a significant presence in the local jazz circuit.” - Devin Hurd, New Music Box

“Many of Mazzarella's compositions borrow Ornette Coleman's ebullient, jaunty melodicism, but he often changes the mood when he takes an extended solo - his dark, visceral phrasing and strident tone recall fire breathers like Pharoah Sanders and Albert Ayler.” - Peter Margasak, Chicago Reader

“Mazzarella has that satisfying union of warmth/heat and continuous, logical melodic/rhythmic thought that goes right back to the beginnings of this music.” - Larry Kart, Yale University Press

“To hear Mazzarella play saxophone is to bear witness to an exquisite young talent.” - Kenneth Preski, New City

“Mazzarella's compositional sense is heavily melodic, and he summons expert lyricism on alto saxophone.” - Walter Tunis, Lexington Herald-Leader

“Mazzarella possesses a joyfully keening alto saxophone tone with the impact of Ornette Coleman’s upbeat existentialism. He also reveals a capacity for cage fighting fury and fluent abstraction.” - Michael Jackson, Chicago Sun Times

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1934 C.G. Conn Transitional Alto Saxophone

Jody Espina, da Vinci

Rico H (Harrison Copy)

Gonzalez, Local 627 Cut

König & Meyer 14340

Walt Johnson

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