Nicola Guazzaloca was born in Bologna (IT) in 1975. He began to play first as self-taught in 1988. From a jazz technical background he has deepened his own formation during the years, learning from direct musical activity of practice, researching and projecting with other musicians, seminars and workshops among the others with Barre Phillips, Tristan Honsinger, Muhall R. Abrahams, William Parker, Roscoe Mitchell, Anthony Braxton. He is a co-founder of the Comanda Barabba 5et, which has been active since 2000. In 2007 he was recognised as being among the best composers and the Comanda Barabba 5et earned a mention as one of the best italian avant-jazz band by the specialized national press classification (Musica Jazz). He has composed and performed for cinema, theater and multimedia (prizes Prima Aziz '03, Favolando '04, Interculture Map '05). He's involved with the Popular School of Music Ivan Illich playing the role of vicepresident and with teaching, didactic activities and coordination, collaborating with musicians, associations and collectives dedicated to the developing and diffusion of improvised music, which is a most important part of his musical research within language and composition....
â€ťGuazzaloca's Irony for unprepared piano cocks a snook at a whole genre of extended performance.â€ť Brian Morton (Wire, UK)
Legacy of the Cecyl Taylor's work, where the piano is rightly regarded as an instrument of the percussion family. La Mediateque (France)
Guazzaloca's piano has a lot of Ravel in its bones, with touches of Gershwin's Rhapsody evident too Phillip McNelly (Cadence, USA)
â€śGuazzaloca is rhythmically strong and his compositions are also challenging in that direction.â€ť Herman Te Loo (JazzFlits, Nederland)
The incisive compositional conception of Guazzaloca seems start from Monk to take more rugged trails, ringing various parts between them...