Home » Jazz Musicians » Paul Whiteman

Paul Whiteman

Paul Whiteman's Orchestra was the most popular band of the 1920s. They are also the most controversial to Jazz historians because Whiteman billed himself as "The King Of Jazz". The Paul Whiteman Orchestra rarely played what is considered real Jazz today, despite having some of the great White Jazz soloists of the 1920s in his band. For the most part Whiteman played commercial dance music and semi-classical works. Jazz critics almost universally dislike his music, but he had his moments.

Whiteman started as classical viola player. He played with the San Francisco Symphony and he led a band for the Navy during World War One. After the war, he formed the Paul Whiteman Orchestra at the Fairmont Hotel (corner of California and Mason Streets in San Francisco). He moved to New York in 1920 and made his first record Whispering / The Japanese Sandman which sold over two million copies and made Whiteman a star. In 1924 he secured his place in history when he commissioned and introduced George Gershwin's Rhapsody In Blue. The song became the band's signature tune.

Whiteman hired a virtual who's who of White Jazz musicians of the 1920s for his orchestra, such as Red Nichols, Tommy Dorsey, Frankie Trumbauer, Joe Venuti, Eddie Lang, and in 1927, Bix Beiderbecke. Bix left the band in 1929 after having a nervous breakdown. Singer Bing Crosby got his start with Whiteman's vocal trio the Rhythm Boys. In 1930 Whiteman starred in the movie "King Of Jazz".

Whiteman paid his musicians the highest salaries in the business and was generally well liked by them. In the 1930s the orchestra featured Bunny Berigan, Trumbauer and Jack Teagarden, but as the decade wore on Whiteman's popularity declined. During the 1940s and 1950s, Whiteman worked as musical director for the American Broadcasting Company (ABC), but reformed his orchestra from time to time during those decades. In the early Sixties Whiteman played in Las Vegas before retiring.

Tags

1

TV / Film

Jeff Sultanof On An Important Film Reborn

Jeff Sultanof On An Important Film Reborn

Source: Rifftides by Doug Ramsey

Composer, arranger, educator and jazz authority Jeff Sultanof occasionally honors Rifftides with his insights. This is one of those happy occasions. Jeff has seen a restoration of King Of Jazz, a pioneering film from the days when motion picture studios had decided that sound was here to stay. King Of Jazz: A Guest Review By Jeff Sultanoff Until 1926, the only sound the movie-going public heard in a theatre was the accompaniment of a piano, organ or symphony orchestra if ...

Video / DVD

King of Jazz: Two-Color Print

King of Jazz: Two-Color Print

Source: JazzWax by Marc Myers

In April 1930, at the advent of the “talkie," Universal Pictures released King of Jazz. The 105-minute film was a revue of Paul Whiteman's music through film and animation. But what made the movie truly special was that it was released using a two-color process. Color films weren't new, per se. France had released the first in 1903 called La Vie at la Pssion de Jesus Christ in Pathechrome while The Gulf Between was released in the U.S. in 1917 ...

1

Radio

"The Whiteman Years" This Week On Riverwalk Jazz

"The Whiteman Years" This Week On Riverwalk Jazz

Source: Don Mopsick

This week on Riverwalk Jazz, The Jim Cullum Jazz Band teams up with Vince Giordano and Andy Stein, specialists in the music of Paul Whiteman in the 1920s. The program is distributed in the US by Public Radio International. You can also drop in on a continuous stream of shows at the Stanford Archive of Recorded Sound. Revered as America’s number one dance bandleader in the 1920s, Paul Whiteman was committed to providing “something for everyone” with his approach to ...

Photos

Music

Videos

Similar

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.