Interviews

INTERVIEWS

Steven Wilson: Intuitive Indulgences and Pop Proclivities

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The trajectory of Steven Wilson's career, since stepping away from his longtime band Porcupine Tree to go solo, has been nothing short of remarkable. Since interviewing him in 2012 for the release of Get All You Deserve (Kscope, 2012)--an audio and video document of his world tour in support of Grace for Drowning (Kscope, 2011), his second solo album following 2009's Insurgentes (Kscope)-- Wilson has released a third studio recording, 2013's The Raven That Refused to Sing (And Other Stories) ...

INTERVIEWS

David Lyttle: Facing All The Music

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In times when independent musicians have to function as one-person business enterprises most musicians show more than one face. David Lyttle, drummer par excellence from Waringstown, Northern Ireland, wears more faces than most. Musician, songwriter, record label owner, producer, interviewer and talent scout--Lyttle has built a solid reputation in multiple fields in a relatively short span of time. Perhaps best known as a jazz drummer in the early years of his professional career, Lyttle has increasingly pushed himself ...

INTERVIEWS

Marshall Gilkes: Relishing Big Band Success

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Marshall Gilkes is a trombonist of monster chops and great taste whenever he puts the brass to his lips in any performance. He's seen sitting in the trombone section of the Maria Schneider Orchestra in recent years, and has associations with other big bands, either subbing in, or as a member of the WDR Big Band in jny: Germany for a time earlier this decade. Gilkes also has extensive classical training (a few years ago he nearly landed ...

INTERVIEWS

Paul Jost: The First Thing is Heart

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Even for a musician who has been playing and singing since age six, Paul Jost has just come through one exceptional year. First, he released his debut with The Jost Project, Can't Find My Way Home (2013, Dot.Time Records), featuring the leader on vocals, harmonica and guitar, with drummer Charlie Patierno, double bassist Kevin MacConnell and Tony Miceli on vibes. On Can't Find My Way Home, Jost remakes and remodels several classics from 1960s/'70s pop and rock FM ...

INTERVIEWS

Rudresh Mahanthappa: Dancing on the Edges of Time

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Saxophonist and composer Rudresh Mahanthappa is constantly making waves in the music world, expanding the technique of his instrument and integrating jazz and world music, especially that of his parents' native land, India. Brilliantly innovative, he often surprises with his improvisations and the way he transforms the music into something new and stimulating. India's great poet, Rabindranath Tagore wrote, “Let your life lightly dance on the edges of time..." With his rhythmic propulsion and inexhaustible energy, Mahanthappa is always on ...

INTERVIEWS

Eddie Gomez: The Call of the Wild

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How to survive in jazz music? One of the people who can answer this question is bassist Eddie Gomez. With his 11 year cooperation he was the longest serving sideman of pianist Bill Evans. After interviewing Evans-bassist Chuck Israels in Holland, I called Gomez a few weeks later in his hometown. Twice there was a connection to his voicemail saying: “Here is Eddie. Please leave your message when you hear the call of the wild" (subsequently a cry of a ...

INTERVIEWS

Warren Haynes: The Timeline of Sco-Mule and Beyond

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By all accounts, Warren Haynes is known to be an upbeat forward-thinking individual. In this recent conversation however, he is borderline ebullient. And why not? Last October he aided immeasurably in bringing the forty-five year career of the Allman Brothers Band to a spectacular close. By the time of that historic appearance at New York's Beacon Theatre, the band Haynes founded with drummer Matt Abts and the late bassist Allen Woody, Gov't Mule, had begun the celebration of its twentieth ...

INTERVIEWS

Golson and Trane Dissed in Philly (circa 1944)

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This article was originally published at All About Jazz in 1999. John Coltrane and Benny Golson stand among the major figures of jazz in the second half of the twentieth century, Coltrane primarily as a player and Golson primarily as a composer. But in 1944 jny: Philadelphia they were teenagers just getting their feet wet, learning tunes and jamming in the Golson living room (at this time Coltrane played alto in the style of Johnny Hodges). Benny was ...



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