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DRUMMER TO DRUMMER

John Riley: Inspiring Innovation

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Foremost an innovator, John Riley has always been a “drummer's drummer" in the world of straight-ahead jazz. With nearly a hundred recordings, a dozen videos, and five books under his belt, Riley is a veritable font of knowledge in the bebop realm. In this article, we take a look back at some of his musical endeavors including recording with Miles Davis, working with Quincy Jones, and playing drums with the Vanguard Jazz Orchestra. We'll also examine the changing landscape of music and discuss how younger drummers can find inspiration. All About Jazz: I've been a fan of yours ...

CATCHING UP WITH

Stanton Moore Goes Indie

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Drummer Stanton Moore is one of the prodigal sons of jny: New Orleans. His fans know him well from projects like Galactic, Garage a Trois and Dragon Smoke, which prodigiously fuse rock, jazz and funk. Moore, whose musical career spans nearly 25 years, is also an educator and has released several instructional books and DVDs. However, he had never recorded a jazz-only album. Before taking that step, he immersed himself in the jazz world, and played with jazz veterans James Singleton and David Torkanowsky for a couple of years. When he felt ready to record the ...

ON AND OFF THE GRID

Practice, Do You? - Part 1-3

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I began studying the guitar when I was seven years old. I hated my teacher and I didn't practice much, but when I changed teachers' and I went to Joe Geneli, I regained a love for the guitar that I first had when I was four years old when I first saw Roy Rogers sing and play. It was with Joe that I began to practice. I found an hour a day was sufficient, but as I got older and the music he gave became harder, I practiced longer. When I was fourteen I switched to Sal Salvador. ...

ARTIST PROFILES

Remembering Charlie Haden

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We're celebrating the spirited life and music of bassist Charlie Haden (1937-2014) who passed away on July 11th. We've included links to four archived interviews as well as our coverage of Mr. Haden's music from years past. Charlie Haden: An Analog Guy in a Digital World (2004) Born August 6, 1937 in Shenandoah, Iowa, Charlie Haden came up in a musical family. After moving around the Midwest, he eventually settled in Los Angeles playing bass with Hampton Hawes, Elmo Hope, and Paul Bley. A fateful meeting in 1958 with Ornette Coleman netted Haden one of his ...

INTERVIEWS

Orrin Evans: Hot Irons In The Fire

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A pianist with great chops, great touch and an attack that fancies many influences from fierce swing to gospel, Orrin Evans is one of the outstanding creative musicians on the New York City scene. His work, no matter what the context--and he loves different contexts--is downright riveting at times. But for the 38-year-old who hails from jny: Philadelphia, jazz, though a pleasure, was a bit of a mystery when he was first experimenting with it. “I didn't know what improvisation was, to be honest. I didn't know what they were doing," when he listened to records, ...

INTERVIEWS

Martin Wind: Appreciating Bill Evans

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Bassist Martin Wind had already gigged with American jazz musicians prior to moving to New York City in 1996 to advance his musical studies. Though classically trained, Wind is highly versatile, having played in orchestras, small jazz groups, crossing genres on the electric bass prior to departing his native Germany. Now, years later, he is a well-established player on the New York scene, having performed with stalwarts like Monty Alexander, Pat Metheny, Clark Terry, Slide Hampton, Toots Thielemans, the Metropole Orchestra, Michael Brecker, Randy Brecker, Phil Woods and more. He's cut albums under his own name and since ...

July 2014

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Dear Mr. P.C.: I hate my playing almost all the time. What's worse is I don't seem to hate it any less even though I'm getting better. At least I think I'm getting better, when I'm not busy hating my playing. Is there something wrong with me? --Having Absolutely Terrible Esteem Dear HATE: Instead of getting lost in self-loathing, try to focus on the times when you don't hate your playing. What makes those moments different? Do you really sound better, or is it just a matter of perspective? If it's just ...

INTERVIEWS

Ulf Wakenius: Confessions of A Vagabond

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Happenstance may play a role in turning dreams into reality, but anyone who's ever realized a burning ambition will appreciate just how much hard work has paved the way. Two phone calls out of the blue almost twenty years apart opened doors to Swedish guitarist Ulf Wakenius, that in the first case he could only have dreamt about, and in the second, he could never have imagined. In 1997, in fairly dizzying circumstances, Wakenius suddenly found himself in pianist Oscar Peterson's quartet, with whom he would go on to tour the globe countless times during the jazz legend's ...

INTERVIEWS

Horace Silver: Blue Note Records and His Lady Music

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The Q&A portion of this article first appeared on KPFK 90.7 FM (Los Angeles) in 1974. 75 years ago Blue Note Records was started by two German immigrants who loved jazz and believed that the music should be heard and preserved. Alfred Lion and Francis Wolff collaborated and built the Blue Note vault of music that included the artistry of immortals: Miles Davis, Sonny Clark, Sidney Bechet, Clifford Brown, Art Blakey, The Jazz Messengers, Lee Morgan, Freddie Hubbard, and Horace Tavares Silver, from Norwalk, Connecticut. Silver stayed with Blue Note Records for 28 years until ...

CATCHING UP WITH

Jimmy Haslip: Former Yellowjacket Generating a New Buzz

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Well, the Joint Base San Antonio Fort Sam Houston News Leader is probably not the best place to look for local jazz updates, even if the venue is on the base. “Tickets for the next Friday Night Jazz concert at the Fort Sam Houston Theater are on sale. Featured artists include the Jeff Lorber Fusion with special guest saxophonist [sic] Jimmy Haslip of The Yellowjackets." Not a promising start, unless Jimmy has taken up a new axe and rejoined his old band. It takes about four tries and 30 minutes just to get on the base because I am not ...

INTERVIEWS

Partisans: Never the Same Way Twice

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It's been five years since Partisans--the British jazz group (not to be confused with the also-British punk rock band The Partisans) cited as the godfathers of the new wave of British jazz, first emerging in 1997 with the out-of-print self-titled debut on the EFZ label--last released an album, specifically the superlative By Proxy (Babel, 2009), which All About Jazz's Chris May called the group's “long expected masterpiece" and “one of the most exciting albums to be released on either side of the Atlantic in 2009." High praise indeed, but the quartet that's been co-led by the group's two ...

THE VINYL POST

Roland Kirk: The Limelight/Verve Albums

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Several years ago when this writer was looking for rarities to include in the column Jazz From the Vinyl Junkyard, the chances for the medium to make a huge comeback seemed to be slim at best. Fast forward and it seems that vinyl is the new black, with efforts to market it to a fresh and younger audience. The availability of simple to operate and affordable turntables aids the process. And until just recently, Stereophile magazine had an entire column, The Entry Level, devoted to putting together a great system on a budget. Further stoking this trend, Blue ...



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