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The Respect Sextet

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Primary Instrument: Piano

FORMED IN 2001, The Respect Sextet is a powerhouse ensemble dedicated to performing a wide variety of improvisational musics. Relying on their explosive energy, rare telepathy, outstanding musicianship and a deep friendship, Respect pieces together free improvisations, original compositions, free jazz classics, television commercial jingles, text pieces, jazz standards, game pieces and more into “a whirling collage,” shouts Exclaim! Magazine, “that ransacks and reshapes the entire jazz tradition, from New Orleans march to Misha Mengelberg, Sun Ra to Charlie Parker.” The group comprises Josh Rutner (reeds, radio, toys), Eli Asher (trumpet, toys), James Hirschfeld (trombone, jamespectronics, toys), Malcolm Kirby (bass), Red Wierenga (piano, keyboard, accordion, redspectronics) and Ted Poor (drums). After releasing three limited-edition live CDs, (respect.), (respectacle.), and a mini-CD (respookt.), Respect introduced The Full Respect, a studio melange in which “all those outlandish musical gestures and experiments are distilled,” as critic Chad Oliveri wrote, “into a frighteningly efficient package.” The Full Respect was named #3 Jazz CD of the Year by Jazz 90.1FM, and music from the album was featured in the short film Who's Your Daddy?, an official selection at the Sundance Film Festival, 2004....
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    The Full Respect

    Roister
    2003

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Featured recording “Sirius Respect”

Latest Release

Sirius Respect

Mode Records (2009)

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”...raucous bunch known as the Respect Sextet combine a whimsical, tongue-in-cheek attitude with chops that are almost fearsome.”

“This is world-class American jazz at its finest and freest. It's pure truth. Respect the truth.”

“...the sense of adventurousness that pervades Respect's ecstatic improvisations won't be found in standard Eastman curriculum.”

“...group veers from deep rhythmic workouts to open drones and hilarious vaudeville.” --City Newspaper

“...when the band concluded, the entire street erupted. It was a triumphant homecoming for this terrific band...” --allaboutjazz.com

“What starts as a quizzical maelstrom slowly takes shape like the T-1000, liquid parts dribbling in from all sides, colors being added like you're clicking around in Photoshop...” --popmatters.com

“It's not music that is trying to be experimental, it just goes off.....

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