he haunting quality of Nehemiah “Skip” James’s music earned him a reputation as one of the great early Mississippi bluesmen. James (1902-1969) grew up at the Woodbine Plantation and as a youth learned to play both guitar and piano. At his 1931 session for Paramount he recorded eighteen songs, including the dark-themed “Devil Got My Woman” and “Hard Time Killing Floor Blues.” He later became a minister, but returned to performing blues during the 1960s “blues revival.” The music of Skip James and fellow Bentonia guitarists such as Henry Stuckey (1897-1966) and Jack Owens (1904-1997) is often characterized as a genre unto itself
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Devil Got My Woman
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