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Stephanie Jordan

Primary Instrument: Vocalist

Born: February 15    

Stephanie Jordan

Jazz at Lincoln Center notes, “every so often a new voice stands up and proclaims itself, but few do so with such supreme depth and understated soul.”

Stephanie Jordan's current show continues her signature trademark of singing jazz standards from the Big Band era. It includes highlights from her self-produced debut CD on her Vige Music label; “Stephanie Jordan Sings A Tribute to the Fabulous Lena Horne; Yesterday When I Was Young” which honors the legendary Grammy Award winner who starred in many films.

Stephanie Jordan performed as the featured singer during the Congressional Black Caucus Foundation Gala which included the presence of President Obama and First Lady Michelle Obama; she was selected to sing to Stevie Wonder during the National Urban League’s 2012 National Conference, and also performed at the private celebration ‘Oprah Winfrey and Friends of Susan Taylor’ in honor of Susan Taylor's years of service to Essence magazine. ...
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Awards

New Orleans Magazine Jazz All-Stars for 2008. World's Who's Who in Jazz; "Showbiz, Pioneers, Best Singers, Entertainmers and Musicians from 1606 to the Present"

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”Local chanteuse Stephanie Jordan set the anthem on a slow burn Sunday night (Feb 17, 2008), delivering the most smoldering rendition of the song since Marvin Gaye performed it at another NBA All-Star Game more than 20 years ago... Another blazing light in our constellation” writes Chris Rose. (The Times-Picayune)

The Washington Post boast of her May 12, 2007 Kennedy Center performance, “Contributing intimate and thoroughly enjoyable interludes were . . . New Orleans-bred vocalist Stephanie Jordan, who performed with a quartet that featured her brother Marlon on trumpet. A poised, soulfully articulate vocalist, Jordan turned in a performance that warmly evoked the influence of Abbey Lincoln, Shirley Horn, Carmen McRae and other jazz greats.” (Mike Joyce, The Washington Post, 5/14/07, pC05)

Standards Get Fresher; Singers Over Manhattan Series [- Hide] By Ted Panken / Jazz at Lincoln Center Playbill NEW YORK, NY (10-20-2006) — Last September 17th, a fortnight after Hurricane Katrina, an extraordinary cohort of singers-among them, in no particular order, Shirley Caesar, Aaron and Arthur Neville, Cassandra Wilson, Diane Reeves, Elvis Costello, Diana Krall, Norah Jones, James Taylor, and Bette Midler-convened at the Rose Theatre to perform a benefit relief concert for the victims of the catastrophic.

On that memorable night; none sang with greater authority or emotional resonance than Stephanie Jordan, who enthralled the packed house and a national PBS NPR audience of millions with an ascendant reading of “Here's To Life.” Framed by her siblings Marlon (trumpet), Kent (flute), and Rachel (violin), each, like their sister, a native New Orleanian newly uprooted from their home. Jordan brought the concert to its climax, rendering the Phyllis Molinary lyric-an instant classic when the late Shirley Horn recorded it in 1991��”with impeccable diction, dead-center pitch, and a personal point of view, acknowledging Horn's antecedent version while drawing independent conclusions about tempo, phrasing, and dynamics. In the process, Jordan��”until her late twenties, her only singing was around the house, and she did not make a record until 2005��”revealed a fully evolved tonal personality, one that can be mentioned in a conversation about such distinguished mentors and influences as Horn, Abbey Lincoln, and Nancy Wilson.

JAZZTIMES Magazine - Bill Milkowski ”Another renowned New Orleans family, the Jordans, escaped Katrina, dispersed to different cities and reunited at this Higher Ground benefit. Featuring Marlon on trumpet, Kent on flute, Rachel on violin and Stephanie on vocals accompanied by LCJO members . . . , the children of New Orleans tenor sax titan and educator Kidd Jordan delighted the Rose Theater crowd with an affecting rendition of “Here's to Life.”

Singer Stephanie Jordan, a standout here, was the real discovery of the evening. Her haunting rendition of this bittersweet ode associated with Shirley Horn was delivered with uncanny poise and a depth of understated soul that mesmerized the crowd and registered to the back rows. Singing with a clarity of diction that recalled Nat “King” Cole, she offered an uplifting message of hope in her heartfelt reading . . . “

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