Born: October 31, 1954
Self taught by ear on an old Stella flat top during a bout of encephalitis that kept him out of school for a year. He taught himself to play the music he heard around him: traditional country blues and the gospel his grandmother played on piano in a small church in the Blue Ridge Mountains.
At age 14, Tim was nominated by a musically astute uncle for a scholarship at the prestigious North Carolina School of the Arts. There he studied the classics with Segovia protege Jesus Silva while continuing to play all kinds of music, increasingly turning to classic jazz for inspiration. He adapted compositions by Jelly Roll Morton, Scott Joplin, and Fats Waller to the guitar, frequently reducing piano arrangements to their essence. Early influences were Doc Watson, Arthur Smith, and most importantly Duck Baker, who opened up a horizon of possibilities for fingerstyle guitar....
Folk Roots Magazine Great Britain Sublime take on Klezmer and Sephardic standards veering between bluesy, flamenco-inflected finger-picking and Joao Gilberto...
Willing to teachAdvanced students only.
Credentials/BackgroundTaught four years at the University of Minnesota 2005 to 2009. Taught at guitar camps like Winnipeg Folk Fest, Acoustic Guitar Seminars and Swananoa. Available for clinics, workshops.
Clinic/Workshop InformationI specialize in Fingerstyle guitar do a hands on clinic focusing on GEDCA system of chord shape/scale/arpeggio connections. I also cover jazz chord voicings and melodic minor and sub modes corresponding to Major, Minor and Dominant 7th chord shapes. I can also teach world music technques including latin-bossa nova, balkan and middle-eastern and how these apply to my Radical Jewish Culture projects for Tzadik.