Baltimore bass clarinetist, composer, and arranger Todd Marcus is one of the few jazz artists worldwide to focus exclusively on use of the bass clarinet as a primary soloing instrument. While use of bass clarinet in jazz typically tends to lean heavily towards avant-garde and free-jazz styles, Marcus’ playing presents the instrument with a modern straight-ahead jazz approach. His music swings hard with both fiery and introspective intensity but also maintains a strong lyrical sensibility.
Born and raised in the northern New Jersey suburbs of New York City, the half-Egyptian Marcus began music at age six with early piano lessons. He picked up clarinet at age 10 first playing band then classical music repertoire. While in high school, an English teacher who also played New Orleans style jazz piano would introduce Marcus to jazz. But upon trying to join the school’s jazz band, Marcus was told saxophones, not clarinets, were the reed instruments allowed in the band and he was turned away....
Todd Marcus, a musical autodidact, plays the clarinet and bass clarinet (rarities in the jazz world) with sharp ease. His tidy but sprawled-out compostions have a similar preternatural comfort about them. As a result his swingin' punchy post-bop often comes off both comforting and challenging. - CapitalBop, July 2011
The bass clarinetist's original tunes and the top-notch, lively musicians in the orchestra deliver one of the most satisfying big-band sounds in the region - Baltimore City Paper, January 5, 2011
Marcus has deftly helmed [a] nine-piece orchestra, which features some of the region's more notable players - Baltimore Sun, October 20, 2010
...masterfully performed solos...If you need to get your blood pumping, this [music] will fit the bill. - Examiner.com, November 26, 2010
Powerful, intricate jazz flowing through a bass clarinet - The B Daily, February 2010
One of the area's finest jazz musicians. - The Baltimore Times, September 2008
... one of the finest [CDs] to come out in late 2006...a fabulous ear and brain cleaner. We dug the freshness of the approach...Truly refreshing in a world of sameness. - Linda Yohn, WEMU Music Director, February 2007
“Todd Marcus shows a lot of promise with his exciting recording debut as a leader.” - All Music, February 2007
“After interviewing Todd at Jazz Radio 247, it also became clear that he was self taught as an arranger and player. In one respect you’d never guess this was the case, for his music is organized, balanced and mature. On the other hand, there is a fire, which resonates on this recording. His bass clarinet playing has an original sound, and his arranging has a style of his own…[The band’s] energy is awesome and the ensemble has a bright future. - Rich Holland, Jazz Radio 247.com, February 2007
“Marcus…brings a saxophonic rigor to the bass clarinet while also generating enough sonic power to front a nine-piece ensemble…With his melodic imagination and technical aptitude on an unorthodox horn, Marcus has something truly new and personal to offer.” - David R. Adler, contributing writer, Jazz Times
“While the bass clarinet has been used often since Dolphy, it is typically used by a saxophonist or clarinetist as a second or third instrument…Very few performers have used the instrument exclusively, but one such performer is the Baltimore-based American musician and bandleader Todd Marcus.” - Wikipedia Encyclopedia
[T]he Baltimore-based Marcus has fashioned a career on the bass clarinet of blending traditional bebop and swing with some world music touches that make him deserving of wider recognition. A sampling of his CD, In Pursuit of the 9th Man, on HiPNOTIC Records label shows off his skills as a composer and arranger as well as a musician. - Jazzreview.com, October 2005
This information is provided by discogs.com or the profile administrator.
The Todd Marcus Jazz Orchestra, Quartet, Trio, or Duo are all available for clinics with participants ranging from middle school to college level participants. Clinics by Todd Marcus ensembles utilize an approach designed to expose participants to jazz through listening, discussion and application of improvisation, sectional coaching, and music business education. Topics include: 1. Listening - exposure to classic jazz recordings played as participants arrive to provide exposure of the music and initiate conversations about key musicians 2. Performance - clinic sessions open with a live performance by the specified Todd Marcus ensemble with a selection that allows students to observe live ensemble and solo playing and the material participants will in turn learn work to perform themselves 3. Rehearsal of selection/music business education - following the ensemble’s performance, participants are provided with sheet music and rehearse the selection - as necessary participants breakout into smaller groups by instruments for coaching on their parts by the respective instrumentalist from within the Todd Marcus Jazz ensemble to provide specialized instruction. - as applicable on selected clinics, music business will be discussed (in place of rehearsal). This type of education is critical information yet regularly lacking for participants considering careers in music. Subjects include self-marketing, working with private venues, engaging audiences, accounting practices, grant writing, and obtaining health insurance. 4. Improvisation study - members of the ensemble coach participants on improvisation as appropriate to the skill level of the participants. Content focuses on harmony, rhythm, time, and theory. Handouts are also provided for participants to utilize in home practice. 5. Participants performance - participants perform selected work again to incorporate the sectional, improvisation coaching, and soloing elements covered.