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Tomchess

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Primary Instrument: Various

Born: January 17    

Tom Chess is a Multi-instrumentalist/Improviser/Composer. He plays Reeds, Western Flute, Arabic/Turkish Ney flute, Oud, and Guitar. He also has a history of using electronics /sampling/live-sampling/loops/fx. He has performed with Drummer Ronald Shannon Jackson' Decoding Society, Butch Morris's Sheng Skyscraper, recorded with Tenor players Dewey Redman, Pharoah Sanders, Morrocan Sintarist Hassan Hakmoun and Butch Morris. He has also led a guitar trio with Drummer Phil Haynes and bassist Drew Gress called Seven Times a Year. He has studied Middle/Near Eastern and West African musics, spending time in West Africa playing and performing. He has studied with Bassam Saba, Omer Erdogdular, Tidiani Bangoura, Abdul Aziz Tourè and Mohammad Camarra. He has also conducted workshops and master classes/lectures and performances in the NYC Public school system as well as New Jersey and Universities and institutions such as Asia Society NY, Johnson State College Vermont, Columbia University, SUNY Fredonia College, McDaniels College, Carrol Community College, Md, and Gettysburg College Pa. He currently lives in NYC where he performs with his different ensembles and works as a freelance musician. He has performed at Lincoln Center, The Turkish Embassy, The Pakastani Embassy, the Asian Society, The Natural History Museum, Himalayan Museum of Art and The United Nations among countless other venues in NYC and the United States. He has also performed on NPR and PBS. He has performed in Africa, Canada, Holland, and Italy. He has been awarded grants from the Turkish American Society and The Maryland Council For The Arts....
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Awards

He has been awarded grants from the Turkish American Society and The Maryland Council For The Arts.
  • BUY

    In The Beautiful Future

    Foot Jumbo Records
    2007

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“...drinking from deep clear sufi wells and ascending to dolphynian heights of sensoral grooving bliss.... new original compositions from ancient pages, many books of one writer, Tomchess.” -Charles blass, WKCR, Live Constructions.

“...a buoyant frontline attack, accelerated by sinuous time signatures via linearly designed unison phrasings....Here, the power of music offers a boost to one’s spiritual health, which is an insinuating notion that parallels the highly entertaining groove-focused aspects of this largely euphoric encounter.” -Glenn Astarita, All About Jazz

“...one senses that this will not be an ordinary musical journey....the sound is bold...it feels as if you’re witnessing the kind of genius often celebrated in the works of John Williams, John McLaughlin, or Ali Akbar Khan...

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