Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

Jazz Musician Database

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Crosswinds by Christoph Irniger
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Imaginary Friends by Ralph Alessi
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East Of The Sun by Michael Kocour
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Trio Tapestry by Joe Lovano
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Swallows & Swans by Florian Ross

Jazz Birthdays

Machito
1908 - 1984
band/orchestra
Vasko Atanasovski
b.1977
saxophone
Ben Tyree
b.1980
guitar
Elsa Nilsson
b.1987
flute
Pete Christlieb
b.1945
saxophone
Jeff Clayton
b.1954
saxophone
Stan Ayeroff
b.1950
guitar

Imaginary Friends
Ralph Alessi
ECM Records
Rhythm Kaleidoscope
Frank Macchia
Cacophony
Trio Tapestry
Joe Lovano
ECM Records
Picture in Black and White
Tessa Souter
Noa Records
Crosswinds
Christoph Irniger
Intakt Records

Jazz Story

I love jazz because it's an area of music where I am free to incorporate everything I've experienced in music, including multiple genres and global cultures, and creatively express myself as a composer and improviser
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I love jazz because it's an area of music where I am free to incorporate everything I've experienced in music, including multiple genres and global cultures, and creatively express myself as a composer and improviser. I see jazz as a “big tent” music, and have tried to avoid worrying about what of style of music I play so much as do I express the various styles I've absorbed in a way that is honest and personal. As a guitarist, it means I cover a lot of different sounds, and as a composer it means I draw on a lot of different influences quite freely.
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By Michael Occhipinti
Member since: 2008

Jazz Musician Database

For Pros: Introduction | Update Page | Create Page

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