“ if you are at the end of your journey,weary, worn and nothing seems the same you’re not alone my love’s eternal,Remember my name.”
So it is with these lyrics, we recognize Alberta Hunter, a jazz and blues singer from the early days of the jazz age. She has been inducted into the Big Band and Jazz Hall of Fame. She was a prolific performing and recording artist of the 20’s and ‘30’s having cut sides with legends of the era as Fats Waller, Fletcher Henderson, Eubie Blake, Louis Armstrong, Lil Hardin, and Duke Ellington. In 1977, after an extended layoff she triumphantly reemerged on the music scene at the age of eighty two, returning to the stage and studio. A true jazz pioneer, survivor, and admirable example of class, let us remember her name.
Alberta Hunter left her hometown of Memphis just shy of her twelfth birthday, and went to Chicago to become a blues singer. She lived with a family friend, worked odd jobs, and became a cook. By 1911, she landed a singing job in Chicago’s tough South Side, at a bordello named Dago Franks. She learned the blues first hand from living the life, learning from the ground floor the meaning of the blues. She stayed on at Dago Franks until 1913, moving on to other clubs as the Elite Café, where she teamed up with New Orleans piano professor Tony Jackson, who helped her to expand her repertoire and develop her style. As luck would have it she landed a singing gig at the Dreamland Café., where the house band at the time was King Oliver’s Creole Jazz Band. She became good friends with the bands pianist Lil Hardin, who was also from Memphis, and also with many other musicians from New Orleans as Louis Armstrong and Sidney Bechet who were coming to Chicago to dig the blossoming jazz scene. She stayed on at the Dreamland for five years, and then moved to New York in 1921. It would be in New York in 1921, that she would begin her recording career. She started there as singer for Fletcher Henderson and his Novelty Orchestra, and recorded for the Black Swan label. In1922, she started her recordings with Paramount, accompanied by Henderson on piano. She would go on to have an incredible run of recordings at Paramount, on which she built her reputation and career.