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Alfredo Colón

Dominican-American saxophonist and composer Alfredo Colon is a proud New York City native. His playing has been described as authoritative and fiery yet mournful and melodic. Drawing on his interest in Dominican folklore and the works of visionary saxophonists Albert Ayler and Ornette Coleman, Colon creates a musical atmosphere that highlights beauty by framing it in disarray.

Alfredo Colon has performed with artists such as Amirtha Kidambi, Moses Sumney, Cautious Clay, Arturo O’Farrill, Jamaaladeen Tacuma, Harish Raghavan, Aaron Parks, William Parker and Henry Threadgill. He has presented works at spaces such as NYC Winter Jazz Fest, The Jazz Gallery, Bronx Arts Space, and Roulette Intermedium. In 2020, Colon was awarded the Jazz Coalition Commission Fund Grant and he was awarded Roulette Intermedium’s Van Lier Fellowship in 2022. Alfredo is currently a Roulette resident artist for their 2023-24 season. Colon has been commissioned by the Association of Dominican Classical Artists in 2016 and Metropolis Ensemble in 2023. He is projected to release his debut album in 2024.

Gear

Alfredo plays and endorses P. Mauriat Instruments and D'Addario Reeds.


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Album Review

Henry Threadgill: The Other One

Read "The Other One" reviewed by Giuseppe Segala


Giunto sulla soglia delle ottanta primavere, Henry Threadgill non lascia sbiadire la propria splendida vitalità creativa. Lo ha fatto quest'anno sia con la pubblicazione dell'imperdibile autobiografiaEasily Slip into Another World, che con una nuova realizzazione discografica, The Other One. Pure questa imperdibile, si colloca tra i lavori che lo hanno visto impegnato esclusivamente come compositore e direttore dell'ensemble, non in qualità di strumentista e solista, sulla traccia dei precedenti Old Locks and Irregular Verbs, del 2016, e Double ...

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Album Review

Henry Threadgill: The Other One

Read "The Other One" reviewed by John Ephland


Listening to Henry Threadgill's music, the bobbing and weaving doesn't maintain a continuity but can jump from one strand to another, one scene to another, as in a dream. It is tonal and not, just as dreams are, perhaps, rhapsodic or unkempt, the story or plot being as tangible, fungible as a summer breeze. Much is made of Threadgill's chamber-music esthetic. And rightly so. It is “so chamber music precise it must all be premeditated, right?" asked the ...

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Album Review

Henry Threadgill Ensemble: The Other One

Read "The Other One" reviewed by Troy Dostert


Now that Henry Threadgill has begun receiving the accolades he has long deserved--the Pulitzer Prize he won in 2016 for In for a Penny, In for a Pound (Pi Recordings, 2015) being just the most prominent example--it is impressive to find him still relentlessly stretching himself as a performer and composer. Since his first forays into the jazz avant-garde in the 1970s, the maverick multi-instrumentalist has always made music that challenges listeners in exciting ways, but it is his uncanny ...

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