Al Kooper

Al Kooper has been quite the Renaissance Man of Rock. Somehow, in a career that spans 50 years, he has managed to turn up at key points in the last five decades. In 1958, Koop began his professional career as guitarist in The Royal Teens (”Short Shorts”). He transformed into a Tin Pan Alley songwriter with cuts covered by Gary Lewis, Gene Pitney, Keely Smith, Carmen MacRae, Pat Boone, Freddie Cannon, Lulu, Lorraine Ellison, Donnie Hathaway and later was sampled by The Beastie Boys, Jay-Z, Pharcyde, and Alchemist to name but a few.

In the mid-sixties, Al was a member of The Blues Project and then founded Blood Sweat & Tears, remaining only for their debut album “Child Is Father To The Man.” He then slipped his producer hat on and began with the top ten album “Super Session” in 1968 featuring Mike Bloomfield & Stephen Stills. He is well known for his organ playing on Bob Dylan's “Like A Rolling Stone.” He played off & on with Dylan for many years, live and in the studio. His playing skills have graced the works of The Rolling Stones, George Harrison, The Who, Jimi Hendrix, Peter Paul & Mary, Tom Petty, Joe Cocker, BB King, Taj Mahal, Alice Cooper, Roger McGuinn, Betty Wright, Trisha Yearwood, Tracy Nelson and scores more. Major moments include playing piano, organ and the opening french horn for The Rolling Stones on “You Cant Always Get What You Want,” keyboards on George Harrison's #1 hit “All Those Years Ago,” keys on “The Who Sell Out,” and on “Electric Ladyland” for Jimi Hendrix.

Al Kooper has been quite the Renaissance Man of Rock. Somehow, in a career that spans 50 years, he has managed to turn up at key points in the last five decades. In 1958, Koop began his professional career as guitarist in The Royal Teens (”Short Shorts”). He transformed into a Tin Pan Alley songwriter with cuts covered by Gary Lewis, Gene Pitney, Keely Smith, Carmen MacRae, Pat Boone, Freddie Cannon, Lulu, Lorraine Ellison, Donnie Hathaway and later was sampled by The Beastie Boys, Jay-Z, Pharcyde, and Alchemist to name but a few.

In the mid-sixties, Al was a member of The Blues Project and then founded Blood Sweat & Tears, remaining only for their debut album “Child Is Father To The Man.” He then slipped his producer hat on and began with the top ten album “Super Session” in 1968 featuring Mike Bloomfield & Stephen Stills. He is well known for his organ playing on Bob Dylan's “Like A Rolling Stone.” He played off & on with Dylan for many years, live and in the studio. His playing skills have graced the works of The Rolling Stones, George Harrison, The Who, Jimi Hendrix, Peter Paul & Mary, Tom Petty, Joe Cocker, BB King, Taj Mahal, Alice Cooper, Roger McGuinn, Betty Wright, Trisha Yearwood, Tracy Nelson and scores more. Major moments include playing piano, organ and the opening french horn for The Rolling Stones on “You Cant Always Get What You Want,” keyboards on George Harrison's #1 hit “All Those Years Ago,” keys on “The Who Sell Out,” and on “Electric Ladyland” for Jimi Hendrix.

As a producer he is best known for discovering Lynyrd Skynyrd and producing their first three albums including “Sweet Home Alabama,” “Free Bird,” “Gimme Three Steps,” and “Saturday Night Special.” His other producing clients included, The Tubes, Nils Lofgren, Eddie & The Hot Rods, Ray Charles, BB King, The Staple Singers, Lorraine Ellison, Bob Dylan, Joe Ely, Thelonious Monster and Green On Red. His autobiography “Backstage Passes & Backstabbing Bastards” is considered by many to be a rock n roll must- read. He scored Hal Ashby's first film “The Landlord,” John Waters film “Cry Baby,” Michael Mann's TV series “Crime Story” and Peter Riegert's recent directorial debut “King Of The Corner.”

His live show accompanied by his band of Berklee professors, “The Funky Faculty,” has been acclaimed all over the USA and in Japan, Italy, Spain, Demark, Finland, Norway, The Czech Republic, and other locations.

There are many more credits, but in interest of space, we will note “Black Coffee” released in 2005 to much critical acclaim featuring four stars in MOJO magazine and three stars in Rolling Stone. It was awarded the Memphis Blues Award for Comeback Album Of The Year. His humorous appearances in the Martin Scorcese Dylan biopic “No Direction Home” were considered a highlight by many.

In 2006, he was awarded the Milestone Lifetime Achievement Award. In 2007, the AES voted him the Les Paul Award presented to Al by it's namesake, and in 2008, he was inducted into the Musicians Hall Of Fame. Also in 2008 he released “White Chocolate.”

Al Kooper shows no signs of retirement, and continues to evolve as a musician for the ages.

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