Allan Vache Allan Vache

Allan Vache was graduated from Roosevelt Elementary School, Rahway Junior High School, and Rahway High School, Rahway, New Jersey 1959-1971. He also attended Jersey City State College, Jersey City, New Jersey 1971-1975. At this time he studied with David Dworkin of the Metropolitan Opera Orchestra, and independently with famed jazz artist Kenny Davern.

From 1972-1975 Allan also performed many professional engagements with such jazz greats as Bobby Hackett, Wild Bill Davison, Pee Wee Erwin, Gene Krupa, Dick Hyman, Max Kaminsky, Clark Terry, Dick Wellstood, Ed Hubble, Cliff Leeman, Bob Haggart, Jack Lesberg, and many others. He also made numerous appearances with his brother, famed jazz cornetist Warren Vache, Jr. From 1974-1975 Allan appeared in the Broadway musical “Doctor Jazz” at the Winter Garden theater, starring Bobby Van and Lola Falana. He performed with a band that appeared onstage, and Luther Henderson and Dick Hyman wrote instrumental arrangements.

In late 1975 Allan joined “The Jim Cullum Jazz Band” of San Antonio, Texas, formerly “The Happy Jazz Band.” He traveled extensively with this band to Europe, Australia, and Mexico, as well as to many concert and festival appearances throughout the U.S. He has recorded nine albums and compact discs with this band, including the only jazz CD of the entire score of Gershwin’s “Porgy and Bess,” released on CBS Masterworks records. Concerts of “Porgy & Bess,” many featuring opera great William Warfield as narrator, were performed by Vache and the band throughout the Western hemisphere, including The Kennedy Center in Washington D.C., and “The Cervantino Arts Festival” in Mexico City, for the U.S. State Department.

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But the debut of Mr. Cullum's seven-piece group roused the audience to show-stopping cheers as it built dazzling, individualized performances of small group classics of 1920's originated by Jelly Roll Morton, Louis Armstrong and others. The septet had an exuberant spirit that flooded through both the ensemble and solos as the group expanded familiar routines with stop=time duets, breaks and fresh voicings.

The key member of the group was Allan Vaché, a clarinetist whose solos were strong and full bodied, sometimes suggesting the overwhelming intensity of Sidney Bechet. This became most apparent when Mr

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