Ambrose's conceptual extension into a new musical language is never to the exclusion of beauty. As one who listens intently, he values the fertility of a pause, of communication, of tension. Ambrose began conceptualizing early as a musician, theorizing and experimenting as a catalyst for development. He seeks other genres of music to analyze and expose, drawing inspiration from such musicians as Bjork and Chopin. Ambrose’s music restructures accepted notions of jazz in a way that reflects his ability to recognize nuances, multiplicities, and patterns. First playing piano at the age of three, his familiarity with music began long before putting his mouth to a trumpet. He is relentlessly opposed to stagnation, seeking movement in both his music and his life.
Best of / Year End
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