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Anders Helmerson

Anders Helmerson was born in a musical family in Sweden where his mother was a piano teacher and his father was a jazz musician. Anders has initially studied classical piano. However, his primary interests evolved toward progressive rock, such as Yes, King Crimson, as well as jazz music as Chick Corea, Bill Evans etc.

In 1981, his first album “End Of Illusion” was released, initially by Swedish label TMC, but 15 years later it was re-released at French label Musea Records where it got cult status and became a big seller. According to a Japanese music magazine Euro-Rock Press, Anders has became famous by End Of Illusion and remembered by progressive rock fans in Japan for over a decade as a mysterious man. The wait for success of his first album kept Anders out of the music scene for years.

In 2002, his second album “Fields Of Inertia”, which has been recorded in Rio and mixed in New York, was released by the Rio based label Som Interior Artistical Productions. Anders has been working in Brazil with Brazilian musicians as Robertimbo Silva and others. The outcome was a bowl of prog music and Latin jazz in a rather neo classic mix. This was his first experience with digital recording which later made a total revolution in the record industry, maybe for Anders elaborated writing style more to a benefit than a disadvantage.

In 2010, his third album “Triple Ripple” was released after a few years preparations. This was when Anders left the prog sphere and stepped into his own invention stage – prog fusion. The album was launched by Musea as a result of collaboration with an American drummer Marco Minnemann and bassist Bryan Beller. This was a “Jazz Rock Fusion Tour de Force”. By working it trough, bar by bar it was finally mixed and mastered at Abbey Road Studios in London, the U.K.. According to Anders, “The mix is bright and the bell tones have a serious tone”. After the release, Anders performed the album live and performed in many venues around the world.

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“… The virtuosity that surprises the listeners …” – Keyboard Magazine, Brazil

“… Highly skilled technical contents …” – Euro Rock Press, Japan

“… Compositional genius …” – London Jazz News, UK

“… Musical mastermind – fuses jazz and rock to create a sound that amazes listeners with the power of superior technique and great composing.” – MusicDish e-Journal, USA

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