Music has been coursing through smoldering jazz vocalist Andy James’ being since she was a little girl. Twice blessed as a gifted singer and dancer, Andy decided her showbiz act one would be a career as a world-class Flamenco dancer, collaborating with the milieu’s most exceptional. Now, she announces, act two, a career as a stunning jazz singer with an irresistible 40s swing-style debut album, Caravan.
“My father loved dancing, my mother love singing, and I loved my father,” says the Las Vegas and LA-based singer, laughing playfully, acknowledging her respect and affection for both her parents. “I sang as a child, but I went back and forth between singing and dance. Both my parents were always encouraging. My mother was a jazz singer, so that was close to her heart.”
Andy James’ debut, Caravan, resides in the smoky elegance of the classic 1930-1905s female swing vocal tradition, recalling high-watermark recordings by Sarah Vaughan, Peggy Lee, Ella Fitzgerald, and Julie London. Also, Andy’s vocals exhibit a burnished soulfulness that touches upon soul and gospel titans such as Mahalia Jackson, Ray Charles, and Sam Cooke.
Despite Caravan being Andy’s debut release, it’s a life’s work documented in the now. Andy emerged a fully formed artist and, on the strength of her talents, has been able to work with a diverse list of industry heavyweights, including mix and mastering engineer Josh Connolly (Justin Bieber, Santana, Pharell Williams); platinum mastering engineer Bernie Grundman (Carol King, Steely Dan, Michael Jackson, Prince); in-demand producer Piero Pata; noted vocal producer Zeffin Quinn Hollis ( Les Misérables, The Fantasticks, and Company); and big band jazz icon, Grammy Award-winner and Emmy-nominee Bill Cunliffe.