Angelica Sanchez

“Sanchez's provocative writing - full of evocative harmonies and open-ended forms showcases her flair for counterpoint and marks her as a formidable talent...” --JazzTimes Magazine

“...introduces a refreshingly unfussy approach to advanced composition.... ...she carries an unforced authority; her virtuosity (not too strong a word) is less solid than fluid, a thing of movement and ease.” --Philadelphia City Paper/Chinen

“Sanchez’s piano playing is marked by its fluidity

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“Sanchez's provocative writing - full of evocative harmonies and open-ended forms showcases her flair for counterpoint and marks her as a formidable talent...” --JazzTimes Magazine

“...introduces a refreshingly unfussy approach to advanced composition.... ...she carries an unforced authority; her virtuosity (not too strong a word) is less solid than fluid, a thing of movement and ease.” --Philadelphia City Paper/Chinen

“Sanchez’s piano playing is marked by its fluidity. She plays with tremendous ease and emotional involvement. It’s a refreshing thought that the male-dominated jazz world does have some bright female members with nowhere to go but up.” --The Boston Tech/Jeremy Baskin

“Sanchez is involved with free jazz that has structure, if that isn't too much of a contradiction; it has a loose, cantankerous energy, but it's given shape by some smart writing.” --The New York Times

“She's brought a big imagination with her from the Southwest, and the open-ended approach of her pianistics accounts for the sprawling terrain around which she grew up.” --Jim Macnie

“There's something literally unique about her piano lingo. It's defined by an attempt to throw a lasso around a massive piece of keyboard history. And when it's at its most eloquent, you'll be impressed. --The Village Voice Her style encompasses the harmonic delicacy of a Herbie Hancock with the occasional flashes of the percussive attack of a Cecil Taylor. The 28-year-old Arizona native is definitely one to watch. --Steve Feeney, Portland Press Herald Angelica Sanchez Quartet With Tony Malaby on tenor and soprano, Drew Gress on bass, and Tom Rainey on drums. A seemingly quiet person, Sanchez would calmly count off a tune, begin with a plaintive but edgy unison melody over a clear tempo, and then ascend the rungs toward free-blowing intensity, always with a cohesive purpose and a precise ending in mind. Her line playing was highly advanced and forceful, and her Wurlitzer gave the adventurous, outward-leaning music a kind of cool sheen, balencing the full-throttle attack of Malaby's horn. Gress and Rainey grasped Sanchez's intent with a proficiency that inspired awe.”

--David Adler/ALL ABOUT JAZZ, January 2003

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