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Artt Frank
ARTT FRANK, bop drummer/composer, is part of a dying breed -one of the few authentic bop musicians on the scene today. He is best known for his long term association with Chet Baker, with whom Artt worked on and off for 14 years. He has also worked with Jimmy Heath, Al Cohn, Ted Curson, Sonny Stitt, Phil Moore and many others, including one memorable night with Billie Holiday. He has also sat in on several occasions with Charlie Parker, Lee Morgan, Tadd Dameron, Dexter Gordon and Bud Powell. Artt is 100% ear player who plays from the seat of his pants. He listens intently to his band mates and responds with lightning quickness, utilizing appropriate shading and perfect placement. His dynamics, especially on brushes, are most engaging. He really generates both spark and fire. When he uses sticks, you know immediately that he's a pure bebop drummer whose roots run deep. And he locks in the time by bearing down forcefully on his hi-hat on the after beat, which produces the sensation of continued forward propulsion. On occasion he'll throw in unpredictable, yet perfectly placed bass drum bombs against the ride cymbal- then shifts seamlessly to left hand accents on the snare. His four limbs are seemingly independent and yet the effect is like an unbroken chain of movement that both supports and fashions itself around the soloist.
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Artt Frank: Talking Chet Baker
by Nicholas F. Mondello
In Chet Baker: The Missing Years--A Memoir (BooksEndependent,LLC), drummer/composer Artt Frank delivers an in-the-room intimate, yet no-holds-barred tale of his professional and personal relationship with the mythologized jazz trumpeter. Drawn from deep admiration for and loyal friendship with Baker, as well as his 14 years performing with him, Frank has painted a distinctive, poignant and dramatically heartfelt portrait of the Chet Baker persona. All About Jazz: Thanks for taking time to speak with us about the book ...
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JazzWax by Marc Myers
Drummer Artt Frank first heard Chet Baker on Armed Forces Radio while aboard the U.S.S. Des Moines toward the end of the Korean War, in 1953. The following year he went to see the trumpeter at George Wein's Storyville in Boston and spoke to him afterward. Baker was kind to Artt, and Artt responded to the poetic depth of Baker's music and transparency of his personality. Fast forward to 1968. Artt was in Los Angeles driving to a gig playing ...
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