Atlas Maior maps diverse musical traditions, placing Jazz, Middle Eastern, and Latin American musical idioms in dialogue with one another. The group composes music that pays homage to the stewards of these traditions and their cultural and geographic origins. Band members Joshua Thomson (alto saxophone, flutes), Charlie Lockwood (oud), and Ted Camat (percussion) create a unique sound that balances intimate moments of sincerity with powerful melodies and incendiary rhythmic passages. Thomson and Lockwood write original melodies exploring maqamat (the Middle Eastern modal system) and harmonic progressions of American jazz. Percussionist Ted Camat applies a wide variety of rhythms and traditional percussion instruments including the Middle Eastern dumbek, Peruvian cajón, and Brazilian pandero.
The band takes its name from the first world atlas, published by Joan Bleau in Amsterdam in the 17th century. Founded in Austin, TX in 2009, Atlas Maior was inspired by the idea of creating original music encompassing the group’s wide range of musical inspirations, including Egyptian composer Mohammad abdul- Wahhab, Lebanese oud player Rabih Abou-Khalil, bassist Avishai Cohen, jazz artists Jackie McLean, Pharaoh Sanders, Sun Ra, and fusion projects such as Amalgama, Ojos de Brujo, Shakti, and local Austin world music pioneers Atash.
Since its formation Atlas Maior has been creating original material, performing throughout Texas, and engaging creatively with other Austin-based musicians. The group released the Atlas Maior EP in 2011, and followed up with the 2012 release of Four Shades, Atlas Maior’s first full-length album, recorded at Mohr Music Studios. In September 2013, Atlas Maior embarked on an international tour and cultural immersion experience in Istanbul, Turkey, where they performed at a variety of venues including a local university, and took music lessons from well-known Turkish musicians. The summer before leaving for Istanbul, the group undertook a series of improvisatory recording sessions at Bell Tree Studios in Austin, TX, featuring double bassist Gary Calhoun James, along with guests Bob Hoffnar (pedal steel), and Sari Andoni (oud). During these sessions Atlas Maior experimented with a variety of instrumental and sonic arrangements, exploring different methods of improvisation and cosmologies of sound. Many of these exercises explored themes of symmetries in sound through different instrumental arrangements. The result of these sessions was Palindrome, Atlas Maior’s 2014 two-disc album comprised entirely of live improvised material from these studio sessions.