Benny Lackner

Presenting singularly expressive jazz, embellished with slight electronic augmentation and drum programming, The Benny Lackner Trio is anything but typical. Functioning as a collective, with each member interjecting equally toward the construction of their material, the trio’s music is unfailingly intricate and multifaceted. While their unique compositions and renditions of jazz standards are remarkably sophisticated and challenging, it is in their unconventional interpretation of contemporary pop hits”by such diverse artists as Prince, Bjork and Jimi Hendrix”that The Benny Lackner Trio reveals its virtuosity. Through abstraction these songs become new, untainted works of art, made complete through a marriage of musical traditions, which shake the dust from jazz and bring it into the light, revitalized and emancipated.

Presenting singularly expressive jazz, embellished with slight electronic augmentation and drum programming, The Benny Lackner Trio is anything but typical. Functioning as a collective, with each member interjecting equally toward the construction of their material, the trio’s music is unfailingly intricate and multifaceted. While their unique compositions and renditions of jazz standards are remarkably sophisticated and challenging, it is in their unconventional interpretation of contemporary pop hits”by such diverse artists as Prince, Bjork and Jimi Hendrix”that The Benny Lackner Trio reveals its virtuosity. Through abstraction these songs become new, untainted works of art, made complete through a marriage of musical traditions, which shake the dust from jazz and bring it into the light, revitalized and emancipated.

The Benny Lackner Trio featuring Derek Nievergelt and Robert Perkins was founded in New York in 2002. Having come together through mutual friendship and admiration, the three members began to play regularly in the local jazz scene. The trio very quickly began to formulate a unique sound and approach to playing and selecting material for a piano trio. This sound is a direct result of the influence of the trios of Keith Jarrett, Ahmad Jamal, Brad Meldhau, Bill Evans, and others. The result of this early collaboration is the recording of their first album “Not the Same” released to critical acclaim in 2004 (JazzTimes - “Where the BadPlus goes for the jugular on it's recordings, the Lacknerites keep it understated, a rarity for any jazz album.”) ....The trio followed up with, “Sign of the Times” in 2006, ( -All About Jazz-” Sign of the Times proves itself a wonderfully realized work of art, every tune a highlight, they give the piano trio a much-needed facelift.”)

The second half of 2006 finds the trio taking the next step in its’ evolution, once again taking to the studio to self-produce its third and most original album yet. Benny Lackner attributes the success of the trios many tours and critically acclaimed records to the fact that theirs is a true band approach. “We operate as a collective, every member has equal input in terms of musical ideas that help develop the style and sound of the group.” The other key ingredient to this band sound is the careful selection of material. On record and in concert one will hear the band play everything from sharp and stylish original pieces, to inventive covers of popular songs by artists such as Bjork, Jimmy Hendrix, Prince, Nick Drake, Nena Feist, as well as insightful arrangements of the music of Mingus, Monk, and Gerschwin. Their sonic embellishments on the sound of the acoustic piano trio (slight electronic enhancements by Lackner and some drum programming by Perkins) give the overall sound a subtle yet modern, ambient feel.