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Bertram Turetzky

Bertram Turetzky (b. February 14, 1933) is a contemporary American double bass soloist, teacher, and author of The Contemporary Contrabass (1974, 1989), a book that looked at a number of new and interesting ways of playing the double bass including featuring it as a solo performance vehicle with no other instrumental accompaniment. Turetzky has performed and recorded more than 300 pieces written by and for him. He is a composer whose music has achieved some prominence, as have his interpretations of early music and composers like Domenico Dragonetti. Music critic Michael Steinberg has praised his continuo playing. Turetzky has appeared as a featured soloist in the major music centers of the world.

Turetzky is a versatile musician, conversant in chamber music, baroque music, classical, jazz, renaissance music, improvisational music and many different genres of world music. He has also developed a special affinity for klezmer music.

In addition to The Contemporary Contrabass, Turetzky has co-edited a book series called The New Instrumentation; seven of a planned eight volumes have been finished. Turetzky wrote an introduction to The Autobiography of Pops Foster: New Orleans Jazz Man which spoke to the early development of jazz bass playing.

Turetzky was born in Norwich, Connecticut, United States, and grew up there. He received a masters degree in music history from the University of Hartford. In his youth, he was drawn to classic jazz music, playing professionally in that style at his first performances. His aspiration to be a jazz player was encouraged by many of the older swing stars. Turetzky continues to play classic jazz, and appears regularly at jazz festivals.

Turetzky first recorded in 1964, featuring the work of American composers George Perle, Edgard Varèse, Donald Martino, Kenneth Gabburo, Ben Johnston, and an early instrument and tape piece by Charles Whittenburg. Recording activities continued with records on labels Nonesuch, Son Nova, Ars Antigua, and Desto. He has worked with Charles Mingus, and has made a series of recent recordings on the Nine Winds label with improvisational musicians George Lewis, Vinny Golia, Wadada Leo Smith, Mike Wofford and others.

Turetzky is a Distinguished Emeritus Professor of Music at the University of California, San Diego. His former students include bass virtuosos Mark Dresser and Karl E. H. Seigfried; Dresser now holds Turetzky's former UCSD faculty position, while Seigfried is working with Turetzky on the latter's autobiography.

He is married to flutist Nancy Turetzky, and they have two sons and a daughter, and keep many cats in their Del Mar, California home.

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Album Review

Damon Smith, Peter Kowald, Joëlle Léandre & Bertram Turetzky: Bass Duos 2000​-​2007

Read "Bass Duos 2000​-​2007" reviewed by Jeff Schwartz


One function of recordings is to document a performer's development. Damon Smith's Bass Duos 2000-2007 not only captures his artistic and technical evolution, his choice of duet partners represents the expanded options for the bass in creative music since the 1960s. Two of the three discs in this set were previously released, but they have been remastered by Weasel Walter. The unreleased disc is excellent and, as Smith highlights in his liner notes, the combination of these ...

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Interview

Bertram Turetzky: Contrabass Pioneer

Read "Bertram Turetzky: Contrabass Pioneer" reviewed by Robert Bush


Contrabassist Bertram Turetzky's career is nothing short of extraordinary. He almost single handedly redefined the role of the bass in 20th Century classical music, from one of back row support to that of featured and celebrated soloist. Even within the confines of classical music, Turetzky's range is huge: he is a master of early, pre- Bach music; a noted performer of chamber music; a veteran of symphonic ensembles; and he's played everything from Brahms and Strauss to 20th Century mavericks ...

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