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Bett Butler

A multi-faceted and eclectic song interpreter who counts Billie Holiday, Abbey Lincoln, Etta James, and Tanya Maria among her influences, award-winning singer/songwriter/pianist Bett Butler authored two critically-acclaimed albums of original music: SHORT STORIES, which earned a “recommended” rating from All Music Guide; and MYTHS & FABLES, winner of a performance grant from the Artist Foundation. She recently released AMERICAN SAMPLER, her first recorded collection of standards, which “breathes new life into old songs with fresh arrangements and a flair for the exotic” (KUT Radio host Jay Trachtenburg, Austin Chronicle) and features “what might well be the most honest, haunting and intense version of ‘Brother, Can You Spare a Dime?’ committed to CD.” (Jim Beal, SAN ANTONIO EXPRESS-NEWS). “Never has the song been recorded with such tension and edge,” writes Enrique Lopetegui of THE CURRENT.

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“Butler is a unique package....Her voice, a smooth, slightly husky alto that can slide up to thrilling high notes, has a comfortable, soothing timbre; but she changes attitudes from song to song with the facility of a trained actor, striking a balance somewhere between the silken elegance of Norah Jones and the edginess of Patricia Barber....I marveled at the spell this singer could weave...recalling similar moments listening to Billie Holiday, Betty Carter, Laura Nyro and Joni Mitchell. Bett Butler brought me to that place where music can salve the deepest wound, mend the heart most broken.-- John Swenson, United Press International

“As made clear on 'When Love Has Left the Room' from the new 'Myths & Fables' CD, this San Antonio singer/pianist is a true artist....Her forte is creating rich story songs fluttering over a South American/South Philly soundscape we have to call jazz because the right word hasn't been invented.-- Micael Corcoran, Austin American Statesman

“Visiting Texas jazz vocalist shining star Bett Butler does the seemingly impossible: incorporate traits of Ella and Billie and the same time; Fitzgerald’s flowing grace and cadence with a bit of Holiday’s smoky

“Don’t expect “lite jazz” here

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American Sampler
American Sampler
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