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Carol Kidd Carol Kidd

Carol Kidd MBE

Biography

Carol Kidd is acknowledged in jazz circles as ‘Britain's finest ballads singer' Jazz Review. She has secured the Best Vocalist title at the British Jazz Awards on four separate occasions and, in 1998, received the MBE from the Queen for Services to Jazz.

Over a 25 year period, she has released seven studio albums and a ‘Best of...' compilation for Linn Records. In 2008, she has returned to the recording arena, following a seven year hiatus, with Dreamsville (AKD 325)- an exquisite album of hand-picked standards and self-penned songs which was ‘Recommended Release' on BBC Radio 2 (Russell Davies Show).

Kidd is renowned for her impeccable phrasing and delivery along with an innate ability to breathe fresh life into jazz standards. Dreamsville places a great singer, at the top of her form, back where she belongs - in the upper echelons of world class vocal jazz. Throughout her career, Kidd has cut a distinctive path through the Great American Songbook with orchestral and quartet backing.

She is a singer who is admired by contemporaries and fans alike, who enjoys popularity in the Far East and has performed regularly in China and Singapore for over the course of three decades. Indeed, in 1994 she was the first western artist to be invited by the Chinese Government to perform there in 25 years.

Originally based in Glasgow, Carol Kidd began singing professionally at the age of 15 when she joined the West Coast Jazz Band. During a five year period she met, and married, their trombonist George Kidd, who is a formidable name in Scottish jazz circles. The band appeared along with many well known names such as Kenny Ball, Acker Bilk and the Alex Welsh band, and also made guest appearances on local radio.

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A throat kissed by angels” The Herald

“One of the best singers I have heard” Ronnie Scott

“Carol Kidd is the best kept secret of British jazz” Frank Sinatra

“Her control is thrilling....she is world class” Cleo Laine

“Her discography stands up as one of the strongest ever British contributions to vocal jazz” Jazz Review

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