To properly attempt to write a profile on such a colorful and significant character as Chano Pozo, we must go to Africa, where it all began.
The Niger River Delta, in the Africa Bend, more specifically the area of Calabar, was one of the premier sources of slaves during the heightening sugar production era in Cuba in the early 1800’s. The Calabar male natives, had an Egbo leopard society, which in Cuba was reborn under the name Acuabatón, conjuring up the myth of Abakuá, manifesting itself in a ritual of ancestor and deity worship, and secret initiations of brotherhood. The Abakuá in Cuba were also called ñañigos, and created a high standard as dancers and drummers, as well as for their flamboyant dress and behavior. They also were also feared and reputed to be a sort of underworld gang.
Building a Jazz Library
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