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Chris Forbes

1.What brought you to music?

I was interested in music pretty young according to my mother. She said I always seemed to gravitate towards the musical instrument toys at the expense of most of the others. My earliest musical memories revolve around the piano that we found in the parsonage at my Dad's third church posting. It was a South African made Steinway and I sat at it for hours playing clusters and the most dissonant things possible. I remember being really interested in the clash of overtones that low clusters made. I think that even then I had a real kinship with dissonant music. After about a year and a half my parents got me piano lessons. My teacher used a method that immediately encouraged improvisation and composition and those remained interests of mine all through my schooling. Back then actually I didn't see much difference between improv and composing and would often write pieces in my head through improv that I never committed to paper. Early on I was a fan of the twentieth century and luckily grew up in a small midwestern college town with good contemporary music being played all the time. Loved Stravinsky after hearing the Rite of Spring and continued exploring Schoenberg, Webern Ives and even Penderecki, who I met at the age of ten or so. When I was in seventh grade a hippie music teacher (technically he was a Dead Head) turned me on to Boulez and Stockhausen....and jazz improv. From there it was a quick journey of discovery from Bop and Bird to Ornette, Cecil, Braxton and the like. By the time I was in high school my parents were wishing I was into heavy metal like all my other friends instead of the cacophony that exploded from my room every night.

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October 07, 2010

A Chris Forbes Trajectory.

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Caffe Vivaldi
New York, NY
9:00 PM

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