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Christopher Hoffman
He also currently performs with the grammy-nominated Anat Cohen Tentet, James Brandon Lewis Trio & Red Lily Quintet, Rudy Royston’s Flatbed Buggy, Kenny Warren Trio, Tony Malaby and his own Christopher Hoffman Quartet
He has worked with Martin Scorsese, Yoko Ono, Bleachers, Butch Morris, Marc Ribot, Lee Konitz, Christina Courtin, Spring Awakening, Ryan Scott, Anthony Coleman, FLH, Marianne Faithfull, Ryan Adams, Iron & Wine, Jeremiah Cymerman, Michael Pitt, Pagoda & many others
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Christopher Hoffman, Anna Webber, Liv Andrea Hauge, Geoffrey Dean & More
by Ludovico Granvassu
A playlist showcasing the interesting new releases by Christopher Hoffman, the Liv Andrea Hauge Trio, Travis Reuter, Geoffrey Dean and a number of recent albums we already featured in the past, but were too good not to get back to one more time.Happy listening!Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Hiromi “Utopia" Sonicwonderland (Telarc) 0:16 Host talks 7:32 Timo Lassy, Juka Eskola “Long Walk" Nordic Stew (Dox) 8:22 Host talks ...
read moreJames Brandon Lewis / Red Lily Quintet: For Mahalia, With Love
by Pat Youngspiel
Moving on chronologically from George Washington Carver--the African-American musician and influential agricultural scientist to whom James Brandon Lewis' previous recording with the Red Lily Quintet, Jesup Wagon (Tao Forms 2021), was dedicated--For Mahalia, With Love continues the pattern of paying homage to influential Afro-Americans who, in their own way, changed the course of history. This album's dedicatee is the early gospel queen Mahalia Jackson, whose seminal performances lit a spark in the saxophonist's grandmother; she in turn carried the spark ...
read moreJames Brandon Lewis: For Mahalia With Love
by Jerome Wilson
Tenor saxophonist James Brandon Lewis has been establishing himself in various contexts for the last few years, but his main focus lately has been on his Red Lily Quintet. Their first album, Jesup Wagon, (TAO Forms, 2021), was dedicated to African-American scientist, George Washington Carver. On their 2023 release, the group's music focuses on the work of the legendary gospel singer, Mahalia Jackson. This tribute takes the form of interpretations of familiar spirituals Jackson often sang. The gospel-derived ...
read moreJames Brandon Lewis Red Lily Quintet: For Mahalia With Love
by John Sharpe
The combination of James Brandon Lewis' impassioned tenor saxophone and songs associated with gospel singer and Civil Rights activist Mahalia Jackson is a match made in heaven. On For Mahalia, With Love by his Red Lily Quintet, Lewis retains the crack squad which made Jesup Wagon (Tao Forms, 2021) a success. Even though Lewis has a proven knack for crafting an affecting melody, he has chosen well as this repertoire has not only stood the test of time, but is ...
read moreHenry Threadgill: The Other One
by Giuseppe Segala
Giunto sulla soglia delle ottanta primavere, Henry Threadgill non lascia sbiadire la propria splendida vitalità creativa. Lo ha fatto quest'anno sia con la pubblicazione dell'imperdibile autobiografiaEasily Slip into Another World, che con una nuova realizzazione discografica, The Other One. Pure questa imperdibile, si colloca tra i lavori che lo hanno visto impegnato esclusivamente come compositore e direttore dell'ensemble, non in qualità di strumentista e solista, sulla traccia dei precedenti Old Locks and Irregular Verbs, del 2016, e Double ...
read moreFunkwrench Blues: Soundtrack For A Film Without Pictures
by Chris May
Once upon a time it was hard to walk into an arthouse cinema without bumping into a jazz soundtrack. Miles Davis' for Louis Malle's Ascenseur Pour L'échafaud (1958), Charles Mingus' for John Cassavetes' Shadows (1959), Krzysztof Komeda's for Roman Polanski's Knife In The Water (1962) were among a legion of similarly inclined endeavours. But all that was a long time ago in a galaxy far, far away. In the 2020s, if you want to hear a freshly ...
read moreHenry Threadgill: The Other One
by John Ephland
Listening to Henry Threadgill's music, the bobbing and weaving doesn't maintain a continuity but can jump from one strand to another, one scene to another, as in a dream. It is tonal and not, just as dreams are, perhaps, rhapsodic or unkempt, the story or plot being as tangible, fungible as a summer breeze. Much is made of Threadgill's chamber-music esthetic. And rightly so. It is “so chamber music precise it must all be premeditated, right?" asked the ...
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Miles Davis
trumpetPhotos
Music
The Call
From: Soundtrack For A Film Without...By Christopher Hoffman
Step
From: 4 FreedomsBy Christopher Hoffman
Bell-ell-ell-ell-ells
From: Making Bones, Taking Draughts,...By Christopher Hoffman
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