Coming out of the Texas Tenor tradition of honkers, Curtis Amy was of the same generation as Booker Ervin, David Fathead Newman, James Clay and Wilton Felder, but his time in the jazz spotlight was brief. Amy had a beautiful sound and a style that was both brawny and lyrical. The major influences on Amy's style were the tenor saxophonists Gene Ammons and Sonny Stitt. Although he had a long and successful career in his transplanted home of Los Angeles, much of it was spent doing high profile studio work and working with his wife, the extraordinary vocalist Merry Clayton.
Read more articles
Support All About Jazz and we'll deliver exclusive content, hide ads, and provide read access to our future articles.