Curtis Macdonald is a composer, sound designer, radio producer and saxophonist based in New York City.
Curtis has won commissions from Aszure Barton & Artists, Alvin Ailey American Dance Theater, Kate Weare Company, Hubbard Street Dance, Bayerisches Staatsballett (The Bavarian State Ballet), Larry Keigwin & Co., and The Juilliard School. In 2014, he was co-awarded the first Charles and Joan Gross Family Foundation Prize for his collaboration with Aszure Barton on the dance Awáa, and in 2016 he received a New Music USA grant for his collaboration with Kate Weare in Marksman. In suit, Curtis’ original theatrical scores have been featured across several modern dance and ballet companies worldwide.
Curtis has released three albums as a bandleader, Community Immunity (2011), Twice Through The Wall (2013), and most recently, Scotobiology—the study of darkness, inspired by the effects of artificial light on living beings. He has also authored Introducing Extended Saxophone Techniques published by Mel Bay and is faculty at The New School for Jazz & Contemporary Music and Ohio Wesleyan University's New York Arts Program. Furthermore, Curtis is a producer for WQXR/WNYC where he received a Peabody Award in 2015 for his work on the podcast Meet The Composer. Recently he co-wrote, produced, and sound designed a full-length feature with host Terrance McKnight, entitled Leonard Bernstein’s Black America that generated record-reaching audience engagement.